sat 17/05/2025

Kieron Tyler

Kieron Tyler's picture
Bio
Kieron Tyler has contributed to Britain's MOJO magazine since 1999 and is the author of 'Smashing It Up: A Decade Of Chaos With The Damned', the critically-acclaimed and definitive biography of the first decade of the pioneering British punk rock band. His writing has also appeared in Billboard (America), The Guardian, i (the newspaper), The Independent, Les Inrockuptibles (France), Music Week, Q, Rumba (Finland) and Ugly Things (America).

Articles By Kieron Tyler

Album: The Weather Station - Humanhood

Read more...

Music Reissues Weekly: Celebrate Yourself! The Sonic Cathedral Story 2004-2024

Read more...

Album: Bridget Hayden and The Apparitions - Cold Blows The Rain

Read more...

Music Reissues Weekly: American Baroque - Chamber Pop and Beyond 1967-1971

Read more...

Best of 2024: Music Reissues Weekly

Read more...

Music Reissues Weekly: Hawkwind - X In Search Of Space, Doremi Fasol Latido

Read more...

Albums of the Year 2024: Mercury Rev - Born Horses

Read more...

Music Reissues Weekly: Vanilla Fudge - Where Is My Mind The ATCO Recordings 1967-1969

Read more...

Album: Ajukaja & Mart Avi - Death of Music

Read more...

Music Reissues Weekly: John Leyton - Lone Rider The Holloway Road Sessions 1960-1962

Read more...

Album: White Denim - 12

Read more...

Music Reissues Weekly: John Cale - The Academy in Peril, Paris 1919, Fear, Slow Dazzle, Helen of Troy

Read more...

Album: The Innocence Mission - Midwinter Swimmers

Read more...

Music Reissues Weekly: Stefan Gnyś - Horizoning

Read more...

Album: Father John Misty - Mahashmashana

Read more...

Music Reissues Weekly: Magazine - Real Life, Secondhand Daylight, The Correct Use of Soap

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Magic Farm review - numpties from the Nineties

There’s nothing more healthy than dissing your own dad, and filmmaker Amalia Ulman says that her old man was “a Gen X deadbeat edgelord skater”...

The Great Escape Festival 2025, Brighton review - a dip into...

As every social space in Brighton once again transforms into a mire of self-important music biz sorts loudly bellowing about “waterfalling on...

theartsdesk Q&A: Zoë Telford on playing a stressed-out p...

If you compiled a list of favourite TV series from the last couple of decades, you’d find that Zoë Telford has appeared in most of them. The...

Jean-Efflam Bavouzet, Wigmore Hall review - too big a splash...

It was a daring idea to mark Ravel’s 150th birthday year with a single concert packing in all his works for solo piano. Jean-Efflam Bavouzet knows...

Good One review - a life lesson in the wild with her dad and...

Good One is a generation-and-gender gap drama that mostly unfolds during a weekend hiking and camping trip in the Catskills Forest...

E.1027 - Eileen Gray and the House by the Sea review - dull...

It’s hard to say who is going to enjoy E.1027 – Eileen Gray and the House by the Sea. Admirers of the modernist designer-architect will...

Album: Rico Nasty - LETHAL

Rico Nasty’s new album LETHAL signals a shift in direction, but whether it is a bold evolution or a step towards something less distinct...

The Marching Band review - what's the French for '...

In Emmanuel Courcol’s drama The Marching Band (En Fanfare in French, and also released as My Brother's Band), a...