tue 01/07/2025

Jenny Gilbert

Articles By Jenny Gilbert

Past Present, Linbury Theatre review - historic, but very much alive

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Ballet Black, Linbury Theatre review - an essential part of the landscape

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Curated by Carlos, Birmingham Royal Ballet, Sadler's Wells review - a star turn

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L'Heure Exquise, Linbury Theatre review - an exquisite tragedy in miniature

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The Dante Project, Royal Ballet review - a towering achievement

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Romeo and Juliet, Birmingham Royal Ballet & Royal Ballet review - a storming start to the season

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The Midnight Bell, New Adventures, Sadler's Wells review - dance theatre at its most compelling

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Creature, English National Ballet, Sadler's Wells review - bombastic and unreadable

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Hofesh Shechter Company, Double Murder, Sadler's Wells review - a well-intentioned but misjudged double bill

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Beauty Mixed Programme, Royal Ballet review - no dancers? No problem

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theartsdesk Q&A: choreographer Christopher Scott

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Solstice, English National Ballet, RFH review - a midsummer treat

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British Ballet Charity Gala, Royal Albert Hall review - a celebration of sorts

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Balanchine and Robbins, The Royal Ballet review - style and substance

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The Royal Ballet: 21st-Century Choreographers review - dancers rise to fresh challenges

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Reunion: An Evening with English National Ballet review - back on stage and fabulous

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Semele, Royal Opera review - unholy smoke

Poor, slightly silly Semele fries at the sight of lover Jupiter casting off his mortal form, but in Congreve’s and Handel’s supposedly happy...

Sudan, Remember Us review - the revolution will be memorised

In 2019, French-Tunisian journalist and documentary filmmaker Hind Meddeb flew to Sudan after the overthrow of hated dictator Omar al-Bashir,...

Le nozze di Figaro, Glyndebourne review - perceptive humanit...

Over 100 years ago, John Christie envisaged Wagner’s Parsifal with limited forces in the Organ Room at Glyndebourne. He would have been...

Quadrophenia, Sadler's Wells review - missed opportunit...

The red, white and blue bull’s-eye on the front curtain at Sadler’s Wells tells us we are in the familiar territory of Pete Townshend’s...

Fidelio, Garsington Opera review - a battle of sunshine and...

Sometimes, as the first act of Beethoven’s Fidelio closes, the chorus of prisoners discreetly fade away backstage as their brief taste of...

Summer Laugh review - five comics gear up for the Fringe

Appearing at the Edinburgh Fringe has long been an expensive gig for comics. But while stand-ups may need only a microphone to ply...

Album: Brìghde Chaimbeul - Sunwise

The first five-and-a-half minutes of Sunwise’s opening track “Dùsgadh / Waking" are taken up by a drone. Played on the Scottish small...

Music Reissues Weekly: Rupert’s People - Dream In My Mind

Procol Harum’s “A Whiter Shade of Pale” was an instant phenomenon. Recorded in April 1967 and issued as a single on 12 May after pre-release play...

Intimate Apparel, Donmar Warehouse review - stirring story o...

The corset is an unlikely star of the latest Lynn Nottage play to arrive at the...