thu 22/05/2025

West End

Vanya and Sonia and Masha and Spike, Charing Cross Theatre review - Tony-winning play checks out Chekhov

Vanya and Sonia and Masha and Spike has taken eight years to reach the London stage, which is surprisingly long for the Tony Award winner for Best Play of 2013: the pandemic, unsurprisingly, didn't help. But in a burst of somewhat un-Chekhovian...

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Get Up, Stand Up!, Lyric Theatre review - knockout performance, undercooked book

Can we turn off the script and simply leave the music to do its soul-stirring bit?  That's likely to be a not uncommon response to Get Up Stand Up!, which gives Bob Marley much the same biomusical treatment currently on view in Tina across...

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The Mirror and the Light, Gielgud Theatre review - nobody expects the Spanish Inquisition

The first two stage adaptations of Hilary Mantel’s Thomas Cromwell trilogy, Wolf Hall and Bring Up the Bodies – written by Mike Poulton, way back in 2014 - were a very different beast from the novels, but they were at least eyecatching plastinations...

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The Last Five Years, Garrick Theatre review - bittersweet musical treat gets West End upgrade

Much has happened in the five years since your reviewer braved the steep rake at The Other Palace and saw The Last Five Years (not least my now getting its “Nobody needs to know” nod in Hamilton – worth a fistful of Tonys in prestige, I guess) so it...

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Anuvab Pal, Soho Theatre review - Empire and Bollywood collide

Anuvab Pal may be a new name to some UK audiences (although many will know him from the global satirical podcast The Bugle), but he is well known in his native India. And it is with a wry look at Indian history – and the British role within it –...

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Olga Koch, Soho Theatre review - personal, political and playful

Olga Koch – born in Russia to ethnic German parents, multilingual and now living in London – might fit into the group that Theresa May once dismissed as “citizens of nowhere”, whatever that phrase means. But Koch turns that on its head in her new...

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Frozen, Theatre Royal Drury Lane review - twinkling spectacle with a sincere drama at its heart

Let it snow! The Broadway musical adaptation of the Disney film behemoth Frozen premiered back in 2018 and now, following Covid delays, a rejigged version finally makes its home in the West End – to the delight of the army of miniature Elsas in...

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2:22 A Ghost Story, Noël Coward Theatre review - unconvincing, sporadically amusing genre play

Danny Robins tells us what we’re in for with his title, so we’re warned. And it’s not long before we get the “things that go bump in the night”, the creaking floorboards, the “I know this sounds crazy, but…” because they’re the essential components...

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The Windsors: Endgame, Prince of Wales Theatre review - fitfully pointed fun

Opposite the playhouse where the sometimes-wild royal comedy The Windsors: Endgame has just opened is the Bubba Gump Shrimp Company seafood restaurant. The eatery is of course inspired by Robert Zemeckis's hit 1994 film Forrest Gump, ...

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Wonderville, Palace Theatre review - magic and illusion family show

Variety is a form of entertainment most usually seen on Saturday night television these days, but Wonderville is an attempt to bring it back into the West End. It's mostly a magic and illusion show, with a hefty slice of comedy, a bit of song and...

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ANNA X, Harold Pinter Theatre review - lacking in substance

There just isn’t enough there, with ANNA X. Daniel Raggett’s production is the third and final of the RE:EMERGE season at the Harold Pinter Theatre, with Emma Corrin of Lady Di fame in the lead. The graphic design – the brightly-striped faces of...

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Hairspray, London Coliseum review - brighter and more welcome than ever

A revival of a multi-award winning musical, with a big star or two, may look like a safe choice to re-open London’s largest theatre, the Coliseum, but there was a tingle of jeopardy in the air, exemplified when the show catches you by surprise...

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