sat 14/06/2025

Wales

David Pountney to head Welsh National Opera

After what must seem like a long exile, the opera director with one of the most distinctive track records in the business is to return as chief executive of a company which has been on fitful form recently. As, it must be said, has Pountney's recent...

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Submarine

Comedian Richard Ayoade’s kinetic, charismatic and accomplished directorial debut follows an introspective adolescent with his feet clamped firmly on dry land but with his head all at sea. In Submarine, our protagonist haplessly negotiates the...

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Patagonia

To anyone less than familiar with a transatlantic migration of 150 souls which took place in 1865, a bilingual film with dialogue in Spanish and Welsh may look like a subtitled bridge too far. Any such prejudgement would be a mistake. Patagonia is a...

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Accolade, Finborough Theatre

Emlyn Williams may have been dubbed the “Welsh Noël Coward” and the action of his long-neglected Accolade may take place in a drawing room, but there’s little of the smiling social comedy to be found here. Trading sparkling cocktails and repartee...

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The Marriage of Figaro, Dragon Opera, The Gate, Cardiff

Llio Evans and Annie Sheen as Susanna and Cherubino: Witty, eye-catching, uninhibited

Dragon Opera (or Opera’r Ddraig, if you insist: they don’t) is in every sense a young company, founded a mere two years ago, and based at Cardiff’s Royal Welsh College of Music and Drama. Its singers, directors and orchestral players are nearly all...

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Regional Opera, 2011-12 Season

Opera outside London flourishes in the hands of Opera North, Welsh National Opera and Scottish Opera. In 2011 the popular hits such as Carmen, The Merry Widow and La Traviata intermingle with rarer landmarks such as From the House of the Dead,...

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Dame Margaret Price, 1941-2011

Perhaps her greatest achievement on disc is a role she would never have attempted in the theatre, Wagner's Isolde. Supported by the great Carlos Kleiber, the sheer meaning and luminous tone colours Price brings to every line make this one of the...

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Manic Street Preachers, Brixton Academy

The annals of rock’n’roll are littered with complacency, fading stars, and acts who’ve had it and then lost it, forever. So, after 20 years, what makes the Manics different? How come they’re still turning out hit albums? Possibly it’s their hand-on-...

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Manic Street Preachers: theartsdesk Video Exclusive

James Dean Bradfield: Working out the cha cha cha for this Sunday's performance on 'Strictly Come Dancing'

It's been a while since the pop/punk and post/pre-Richey comparisons have been made. Ironic considering how seemlessly the Manics slip between modes these days. Today theartsdesk brings you an exclusive preview of the live, power-popping video of "...

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BBC National Orchestra of Wales, St David's Hall, Cardiff

Piero di Cosimo: 'The Fight Between the Lapiths and the Centaurs'

How much do you know about centaurs? Probably you know they are horses below the withers, human above. But did you know they were heavy drinkers who once got out of hand at the wedding of the King of the Lapiths, tried to rape the bride and got...

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Emanuel Gat Dance, Sadler's Wells/ Henri Oguike Dance, Touring

Emanuel Gat's 'Winter Variations': 'The movement is the problem'

How do young modern choreographers engage with their audience? With references from the street - motion that the audience knows and recognises? With musical expressiveness? With the development of a technical style that has a language of its own?...

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Michael Jarrell, Hoddinott Hall, Cardiff

Michael Jarrell: 'As thrilling and instantaneous as a tidal wave or an avalanche'

Music, Wagner famously pronounced, is the art of transition. For the Swiss composer Michael Jarrell, by contrast, music is “the art of punctuation”. On the one hand, how to get from one thing to the next; on the other hand, how to separate one thing...

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