Wagner
Opinion: Where's the crisis at ENO?Tuesday, 10 March 2015
Having been bowled over by the total work of art English National Opera made of Wagner’s The Mastersingers of Nuremberg on its first night, I bought tickets immediately afterwards for the final performance. So I’m off tonight to catch the farewell... Read more... |
The Mastersingers of Nuremberg, English National OperaSunday, 08 February 2015
After seven glorious Welsh National Opera performances in the summer of 2010, it looked like curtains for Richard Jones’s Mastersingers (or Meistersinger, as it then was, sung in German): no DVD, no co-productions. The director seemed happy with... Read more... |
Der fliegende Holländer, Royal OperaFriday, 06 February 2015
Like the Dutchman himself, Tim Albery’s Der fliegende Holländer makes its inevitable return to the Royal Opera House. Unlike the Dutchman, however, this production has broken free of its cycle of repetition. Perhaps expectations have changed,... Read more... |
Simón Bolívar Symphony Orchestra of Venezuela, Dudamel, RFHFriday, 09 January 2015
Youth may have vanished from the title, and its first flush is gone from the cheeks of most of the young persons. Now they’re in their prime, a magnificent sight – and the sound, too, is that of a world-class orchestra with a voice. Which we heard... Read more... |
Best of 2014: OperaSaturday, 27 December 2014
When everything works – conducting, singing, production, costumes, sets, lighting, choreography where relevant – then there’s nothing like the art of opera. But how often does that happen? In my experience, very seldom, but not this year. It's been... Read more... |
Tristan und Isolde, Royal OperaTuesday, 09 December 2014
Eternal love is in the air, not seasonal fluff, at the Royal Opera this December. Later in the month Verdi’s most ecstatic duet, in Un ballo in maschera, will find his Riccardo and Amelia briefly playing Tristan and Isolde, very much in the shadow... Read more... |
Karajan's Magic and Myth, BBC FourSaturday, 06 December 2014
There have been legendary conductors, and then there was Herbert von Karajan. He was a colossus of post-World War Two classical music, equipped with fearsome technical mastery allied to a vaguely supernatural gift for extracting exquisite sounds... Read more... |
theartsdesk Q&A: Conductor Jonathan NottMonday, 20 October 2014
When I entered the light and spacious chief conductor’s room in Bamberg’s Konzerthalle, Jonathan Nott was poised with a coloured pencil over one of the toughest of 20th century scores, Varèse’s Arcana. He thought he might have bitten off rather a... Read more... |
theartsdesk in Stockholm: A Nobel Prize for Musical ExcellenceSunday, 12 October 2014
Should you not have caught one of the 20th century’s handful of greatest Wagnerian singers live - I did, just once, in a Prom of uneven excerpts - chances are that you first heard Birgit Nilsson in Brünnhilde’s Immolation Scene from Götterdämmerung... Read more... |
Anselm Kiefer, Royal AcademySunday, 05 October 2014
And so, I finally come to write of Anselm Kiefer, and with something of a heavy heart, as heavy, I’d vouch, as one of his load-bearing canvases. In 2007, I was left breathless by the German artist’s new paintings at the White Cube gallery in... Read more... |
Prom 27: Trusler, BBCNOW, Wigglesworth/Inspire Workshop, Royal Albert HallThursday, 07 August 2014
A full day began and ended with Elgar the European, or rather the citizen of the world. After all, the Pomp and Circumstance March No. 1, played with panache by 180 young musicians in a morning meet-up, owes its swagger to the "Cortège de Bacchus"... Read more... |
Götterdämmerung, Opera NorthSunday, 15 June 2014
These annual treks to Leeds Town Hall on muggy June evenings have become a bit of a tradition. Going to see Opera North’s Ring feels increasingly like attending a fan convention, though instead of wearing tight lycra and assorted helmets, attendees... Read more... |
