Visual arts
theartsdesk at the Edinburgh Art FestivalWednesday, 07 August 2013
The highlight of this year’s Edinburgh Art Festival is undoubtedly Peter Doig’s No Foreign Lands. As you enter the beautifully proportioned and wonderfully hung rooms of the Scottish National Gallery (until 3 November) the spirit of last year’s... Read more... |
Conrad Shawcross: Timepiece, RoundhouseSaturday, 03 August 2013
Last time I encountered a work by Conrad Shawcross, it made me feel sick. His kinetic light sculpture, Slow Arc Inside a Cube IV, occupied a room the size of a broom cupboard at the Hayward Gallery’s Light Show. Inside a dense metal cage on spindly... Read more... |
Richard Rogers: Inside Out, Royal Academy, Burlington GardensFriday, 26 July 2013
Richard Rogers is addicted to colour. His wardrobe dazzles, and this biographical anthology opens with a selection of Rogers’ aphorisms and statements in bold black on a wall painted a coruscating knock-out fuschia. And then there are the buildings... Read more... |
Hahn/Cock, Fourth PlinthThursday, 25 July 2013
It’s a huge cock! The Brits love double entendres. Maybe the Germans do too, but the Brits have cornered the market. Katharina Fritsch, the German artist behind the huge cock on the Fourth Plinth in Trafalgar Square, has certainly played to our... Read more... |
Aquatopia: The Imaginary of the Ocean Deep, Nottingham ContemporaryWednesday, 24 July 2013
Undines, mermaids, selkies, nixies, kraken. You’ll encounter such imaginary creatures in Aquatopia, an exhibition which delves into the myths of the ocean deep, and thereby to the murky, fathomless depths of our subconscious. But more often than... Read more... |
theartsdesk in Mozambique: Maputo StoriesSunday, 21 July 2013
The capital of Mozambique pulls no punches. Parked at the old airport among sheaves of wild grass are old MiG fighter planes, as sculpturally beautiful as the massive monument made from decommissioned weapons a few hundred metres away. The new... Read more... |
Laura Knight: Portraits, National Portrait GalleryMonday, 15 July 2013
Laura Knight’s wartime masterpiece Ruby Loftus Screwing a Breech-Ring (1943) is a subtly glamorous picture, strikingly composed. A frieze of blue-clad women at an armament factory workbench are in the background, highlighting the profiled figure of... Read more... |
The Spirit of Utopia, Whitechapel GalleryFriday, 12 July 2013
Some artists seem to need a reality check. The Spirit of Utopia is billed as a show of artists “who speculate on alternative futures for society, the economy and the environment”; but anyone anticipating cogent analysis or visionary ideas will be... Read more... |
Art: theartsdesk at Manchester International Festival 2013Sunday, 07 July 2013
I’m watching someone with a mic pacing the linking bridge on the second floor of the Arndale Shopping Centre. He’s repeating the same phrase over and over again, which he’ll do for the next 20 or so minutes. “We’re souls refreshed,” I think it is.... Read more... |
Collecting Gauguin, Courtauld GallerySunday, 07 July 2013
A one-room display at the Courtauld of seven paintings, a wall of woodcuts, some drawings and a sculpture by the passionate and volatile Gauguin: for all its modesty, this is a staggeringly powerful show, replete with exotic dreams and embodying the... Read more... |
Mexico: A Revolution in Art 1910-1940, Royal AcademyThursday, 04 July 2013
Artists love a good revolution. The social upheaval, the bubbling up of new ideas and the breaking down of old ones, attracts them like flies to fly paper. The Mexican revolution was no exception. During the years 1910-1940, Mexico attracted large... Read more... |
Vermeer & Music: The Art of Love and Leisure, National GalleryWednesday, 03 July 2013
Music and art have been intertwined for millennia, the static, frozen and soundless moment of paint capturing the feeling and the meaning of ephemeral time-based music. And nowhere can the act of making music have so thoroughly infiltrated a society... Read more... |
