violin
Glennie, Ticciati, O/Modernt Kammarorkester, Kings PlaceThursday, 28 April 2016
It is a truth not widely acknowledged in the UK as yet that Robin Ticciati's elder brother Hugo is no less fine a shaper of musical thought. He could, as his solo playing last night richly proved, have had a career as a virtuoso violinist playing... Read more... |
Virtuoso Violinists at the BBC, BBC FourSaturday, 12 March 2016
Virtuoso Violinists was an hour of unalloyed informative pleasure that toured televised highlights of great violinists playing great music. Its painless excursion into the western classical canon reminded us why the BBC is the NHS of culture, and we... Read more... |
Kraggerud, Gimse, Wigmore HallWednesday, 03 February 2016
All three Grieg violin sonatas in a single recital may seem like too much of a good thing. The similarities between them outweigh the differences, which are more of quality than intent. But, when heard in chronological order, they provide a... Read more... |
Skride, CBSO, Wellber, Symphony Hall BirminghamFriday, 06 November 2015
If Omer Meir Wellber is making a bid for Andris Nelsons’s old music directorship in Birmingham, he could hardly have signalled his intentions more audaciously. This concert began with Wagner’s Lohengrin Prelude and ended with Brahms’s First Symphony... Read more... |
10 Questions for Nicola Benedetti and Wynton MarsalisTuesday, 03 November 2015
He’s an American jazz giant; she’s a Scottish doyenne of the classical violin. Anyone familiar with one more than the other – and that’s more or less everyone – would do a double take to see their names on the same bill. But this week at Barbican... Read more... |
We Made It: Violin Maker John DilworthSunday, 01 November 2015
How much would a Stradivarius or a Guarneri violin set you back? Hundreds of thousands of pounds? These days it’s more like millions – many millions. With the value of the finite collection of 17th- and 18th-century instruments only rising every... Read more... |
Tetzlaff, Gewandhausorchester Leipzig, Chailly, BarbicanFriday, 23 October 2015
In practice as well as in prospect, the second in Riccardo Chailly’s Strauss/Mozart trilogy was a concert of two very different halves. The first offered small Bavarian and Austrian beer in the shape of Strauss’s fustian Macbeth, unbelievably close... Read more... |
The Image of Melancholy, Eike, Sam Wanamaker PlayhouseMonday, 21 September 2015
“Sounds a bit depressing,” said several friends when I urged them to attend the theatrical incarnation of The Image of Melancholy, inspirational violinist Bjarte Eike’s award-winning CD with his stunning Norwegian-based group Barokksolistene.... Read more... |
Prom 72: Kraggerud, BBCSO, LittonThursday, 10 September 2015
Queen Margrethe II of Denmark attended Nielsen’s 150th birthday concert earlier this year in Copenhagen’s glorious new concert hall. Her grandparents were there at the premiere of Nielsen’s blithest work, his cantata Springtime in Funen on 1921. Our... Read more... |
Classical CDs Weekly: Mozart, Magdalena Filipczak, Masterworks of the 20th CenturySaturday, 05 September 2015
Mozart, arr. Makato Ozone: Piano Concerto No.9 Makato Ozone (piano), Scottish National Jazz Orchestra, dir. Tommy Smith (Spartacus Records)This is something pretty special. Jazzed-up Bach usually works, as Jacques Loussier has shown, and I've... Read more... |
Prom 46: Znaider, Danish NSO, LuisiFriday, 21 August 2015
Praise be to Carl Nielsen. Praise always, of course, to one of the greatest symphonists, and happy 150th birthday (again), but gratitude on this occasion is due to a programme mostly lining up Nielsen works rare and familiar, for getting me to the... Read more... |
Prom 42: Rachlin, BBCSSO, VolkovMonday, 17 August 2015
A second night of Sibelius symphonies at the Proms, packed to the rafters just like its predecessor. Exit Thomas Dausgaard, the tuba needed for the first two symphonies but not for the Third or – surprising given its pervasive darkness – the Fourth... Read more... |
