tue 22/07/2025

TV drama

Ordeal by Innocence, BBC One, review - Agatha Christie goes nuclear

Ordeal by Innocence belongs to a new and, you hope, short-lived sub-genre. The only other stablemate is All the Money in the World. Both were in the can and good to go when very serious sexual allegations were made against a member of the cast. For...

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Come Home, BBC One review - a drama of family disintegration, divided loyalties

A woman walks out on her husband and their three kids – two teens, one five-year-old - after 19 years of marriage. She doesn’t want custody. What could be so wrong with the man that she’s driven to such drastic action? Eleven months later, Greg (...

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The Good Fight, Series 2, More4 review - the longer they do it, the better it gets

The mystery remains of why they keep tucking away The Good Fight on More4, as they did with its illustrious predecessor The Good Wife. No disrespect to 4’s ancillary channel – now seemingly the designated last resting place of Grand Designs – but it...

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The Durrells, Series 3, ITV review - a winter warmer from Corfu

When ITV scheduled this new series of The Durrells for mid-March, they probably didn’t imagine it would coincide with the return of the Beast from the East, with its blizzards and plummeting temperatures. Under these deep-frozen circumstances, what...

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13 Commandments, Channel 4 review - murder most Flemish

To Belgium for the latest continental instalment of murder really rather unpleasant. 13 Commandments, yet another crime drama brought to Channel 4 under the auspices of Walter Presents, began with the grizzliest manner imaginable. A man arrived at...

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Below the Surface, BBC Four review - terror in Copenhagen

Read Adam Sweeting's review of the Below the Surface FinaleAfter recent experiences with the likes of McMafia, Troy and Collateral, mysteriously moribund affairs apparently designed by a committee of box-ticking zombies, many a viewer will turn with...

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Collateral, series finale, BBC Two - Carey Mulligan hares to the finish

In a revelatory interview for the Royal Court’s playwright’s podcast series, David Hare admits to a thin skin. In his adversarial worldview, to take issue with him is – his word – to denounce him. He’s quite a denouncer himself, of course. In...

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Trauma, ITV, review - surgically imprecise revenge drama

When you’re hot, you’re hot. In the past two years Mike Bartlett has had the following works staged or broadcast: Wild, a play about Edward Snowden at Hampstead Theatre; Albion, a three-hour neo-Chekhovian state-of-the-nation play at the Almeida; an...

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Collateral, BBC Two review - a lecture or a drama?

It says something about the state of television that sooner or later every actor has to play a cop or a spy. Latest in line is Carey Mulligan, starring as DI Kip Glaspie in David Hare’s new four-parter Collateral.This is, on the face of it, a...

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McMafia, Series finale, BBC One review - the last bite is the cruellest

McMafia has taught us to recognise one thing – you might call it the “Norton stride”. As the charismatic Alex Godman, James Norton has been advancing, confidently at screen centre, towards one challenge after another, and they have been coming (...

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Spiral, Series 6 Finale, BBC Four review - hot fuzz hit new heights

Happily, there’s hope for Spiral junkies – as series six ends, we bring you news that series seven has just gone into production. This is just as well, because these last dozen episodes have been an object lesson in how to make TV drama for the mind...

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Requiem, BBC One review – everything but the scares

Despite horror’s omnipresence in cinema, British television has been somewhat deprived of jump scares. Every couple of years there’s an anomaly, such as Sky’s The Enfield Haunting or ITV’s Marchlands, but nothing has caught the public’s imagination...

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