Tchaikovsky
theartsdesk Q&A: violinist Vadim RepinSaturday, 22 February 2014
When I last saw Vadim Repin in action, he was premiering a work of terrific energy and invention which is here to stay, James MacMillan's Violin Concerto. Tonight in Birmingham and on Monday at the Royal Festival Hall he is back on familiar... Read more... |
Addio, Claudio AbbadoMonday, 20 January 2014
“It is at the end that a composer can achieve his finest effects,“ declared Richard Strauss. He was thinking of his great operatic and symphonic epilogues, but apply that to the art of conducting, adjust the “at” to “towards”, and it applies... Read more... |
The Nutcracker, Moscow City Ballet, Cambridge Corn ExchangeMonday, 06 January 2014
England is the biggest and richest market for the small privately-run company Moscow City Ballet, which stands in a long history of touring companies peddling “authentically” Russian ballet to international audiences. I am forced to admire the... Read more... |
Vadim Gluzman, Angela Yoffe, Wigmore HallSunday, 29 December 2013
There were two strong reasons, I reckoned, for struggling to the Wigmore Hall during the interstitial last week of the year. One was an ascetic wish to be harrowed by a mind and soul of winter, both within and without, in Prokofiev’s towering D... Read more... |
Classical CDs Weekly: Tchaikovsky, Harry Christophers, 4 Girls 4 HarpsSaturday, 21 December 2013
Tchaikovsky: Swan Lake (complete ballet) Bergen Philharmonic Orchestra/Neeme Järvi, with James Ehnes (violin) (Chandos)This team's Swan Lake is every bit as revelatory as last year's complete Sleeping Beauty. As you'd expect, four acts, uncut, are... Read more... |
Jewels, Royal BalletWednesday, 18 December 2013
It has been said that Mozart, so prodigiously talented so young, seemed to be merely a vessel through which God, or the music of the spheres, or whichever higher being one chooses, channelled the sounds of heaven. So, too, sometimes, does Balanchine... Read more... |
Matthew Bourne's Swan Lake, Sadler's WellsFriday, 13 December 2013
In 1995 a new avian species with unfamiliar markings, the Bourne swan, drew unexpectedly large crowds to a run-down old Islington theatre. I remember it well: seats in the gods were being worn so tight then that feet attached to long legs couldn't... Read more... |
Nutcracker, English National Ballet, London ColiseumThursday, 12 December 2013
This production of Nutcracker, the 10th in English National Ballet's 60-year history, has come in for some stick in the three years since its première. Wayne Eagling, the company’s then director, produced the choreography in rather... Read more... |
The Nutcracker, Royal BalletWednesday, 04 December 2013
When dealing with the big beasts of the classical repertoire, the Royal Ballet has a history of both playing it straight and playing it very, very well. Peter Wright’s venerable production of The Nutcracker is a case in point: although sticking... Read more... |
Prom 72: Calleja, Orchestra Sinfonica di Milano Giuseppe Verdi, ZhangFriday, 06 September 2013
It was too little too late to redress the scant attention gives to Verdi’s bicentenary at this year’s Proms but the “Maltese Tenor” – Joseph Calleja – arrived with an eleventh hour offering of low-key Verdi arias and joining him was the Milanese... Read more... |
Prom 68: Skride, Oslo Philharmonic Orchestra, PetrenkoTuesday, 03 September 2013
The Oslo Philharmonic Orchestra made quite a splash with their Tchaikovsky symphony series under Mariss Jansons back in the 1980s. The watchwords then were freshness and articulation, a re-establishment of Tchaikovsky’s innate classicism - and so it... Read more... |
Prom 53: Antonacci, Rotterdam Philharmonic Orchestra, Nézet-SéguinFriday, 23 August 2013
Prokofiev’s Fifth is a symphony for which the conductor’s setting tends to be turned to either bright and light or dark and heavy. Perhaps because of the composer’s perceived joker role as set against Shostakovich the symphonic chronicler of Soviet... Read more... |
