Stravinsky
Triptych, Rambert, Sadler's WellsWednesday, 19 November 2014
How long should a dance programme be? Opera and theatre habitués can be surprised by outings to contemporary dance, where the pieces might be shorter than the intervals, and a 7:30 start could see you comfortably on the 9:15 train home. But the... Read more... |
Ashton Mixed Bill, Royal BalletSunday, 19 October 2014
This morning, those who follow ballet on both sides of the Atlantic might be feeling a bit like the male soloists at the beginning of Ashton’s Scènes de Ballet: turning their heads sharply, almost pantomimically, from side to side. Over there, in... Read more... |
Prom 64: Berlin Philharmonic, RattleSaturday, 06 September 2014
After Monday’s Respighi extravaganza at the Proms, it was back on the rainbow express for more wonders of orchestral colour last night. In the young Stravinsky’s large-scale signing-in and poor depressed old Rachmaninov’s signing-off, you could... Read more... |
Prom 43: Skride, BBCSO, GardnerTuesday, 19 August 2014
The Russians were coming - and the prospect of Tchaikovsky’s 1812 Overture, even without the added attraction of hearing it in Igor Buketoff’s questionable choral arrangement where the Tsarist hymn is taken at its word and does a Boris Godunov on us... Read more... |
Firebird/ Marguerite and Armand/ Concerto DSCH, Mariinsky Ballet, Royal Opera HouseTuesday, 12 August 2014
This was the most eagerly anticipated programme of the Mariinsky visit - something old, something borrowed and something new. The old, that colourful fairytale of Stravinsky’s lush, melodious youth, The Firebird; the new, a recent acquisition by the... Read more... |
Prom 33: Schwizgebel, National Youth Orchestra of Great Britain, GardnerMonday, 11 August 2014
After the European Union Youth Orchestra hit unsurpassable heights last week, the Proms plateau of excellence remained available to another youth carnival of weird and wonderful 20th century monsters. If the EUYO showed us that Shostakovich’s... Read more... |
Classical CDs Weekly: Grundman, Messiaen, Aki KurodaSaturday, 09 August 2014
Jorge Grundman: A Mortuis Resurgere Susana Cordón (soprano), Brodsky Quartet (Chandos)Spanish composer Jorge Grundman was a vocalist and keyboard player in two bands in his teens, and he’s now a professor of audio engineering at a Madrid... Read more... |
Prom 28: D'Orazio, Clayton, BBCSO, OramoFriday, 08 August 2014
All kinds of narratives were at play in this Prom from the BBC Symphony Orchestra and its Principal Conductor Sakari Oramo - and perhaps the truly adventurous programmer might have double-deployed Rory Kinnear, dispassionately chronicling Stravinsky... Read more... |
Khatia Buniatishvili, Queen Elizabeth HallThursday, 05 June 2014
A voluptuous dream in sequined silver, the nearly-27-year-old Georgian pianist Khatia Buniatishvili sat down at the keyboard and instantly transcendentalised her mermaid look as Ravel’s Ondine. Even Brahms took to the life aquatic of her recital’s... Read more... |
The Rite of Spring & Petrushka, Fabulous Beast Dance Theatre, Sadler's WellsSaturday, 12 April 2014
Stravinsky’s Rite of Spring captures the pulsing terror of seasonal change, the relentless onward drive of nature that brings death closer even as life burns at its most ferocious. The 1913 première of the ballet created by Vaslav Nijinsky... Read more... |
It's All About Piano!, Institut FrançaisSaturday, 05 April 2014
With tickets only a couple of pounds more than screenings in the Ciné Lumière, back-to-back – sometimes overlapping - concerts by world-class pianists of all ages, and a lively roster of weekend events around the recitals, what more could you ask... Read more... |
Lest We Forget, English National Ballet, BarbicanThursday, 03 April 2014
Taken together, the memorial accoutrements of the First World War are probably this country's most highly developed, and widely experienced, discourse of public history. Through two-minute silences, poppies, public monuments, and near-univeral... Read more... |
