Strauss
The Exterminating Angel, Die Liebe der Danae, Salzburg FestivalWednesday, 03 August 2016
"Because the world has outlived its own downfall, it nevertheless needs art." Paul Celan's words stand alongside Anselm Kiefer's Jacob's Dream, part of a stunning Surrealism-centric exhibition in the foyer of Salzburg's second and more amenable... Read more... |
Prom 21: Leleux, Aurora Orchestra, CollonMonday, 01 August 2016
The Aurora Orchestra’s gimmick at Prom 21 was the same as in the last two seasons: playing a major classical symphony from memory. This was touted as an “astonishing feat” by the concert’s on-stage presenter Tom Service but, although unusual, is it... Read more... |
Cottier Chamber Project 2016, GlasgowSaturday, 18 June 2016
It should have been a complete disaster. Not announcing your festival’s programme until barely a week before it started ought to have guaranteed that nobody knew about it – no press, no audiences, other plans made, other things booked.But still they... Read more... |
Zuev, LPO, Jurowski, RFHMonday, 02 May 2016
It often sounds as though Richard Strauss makes the ascent of his Alpine Symphony in too many layers of clothes. Hopes were that Vladimir Jurowski and the London Philharmonic Orchestra would give us a characteristically sinewy, more lightly-clad... Read more... |
Osborne, RSNO, Denève, Usher Hall, EdinburghSunday, 10 April 2016
“Bon soir, good evening! Nice to see you! To see you...” Four years after bidding an emotional farewell to the Usher Hall, the Gallic charmer is back, maybe slightly stouter, with a tinge of grey in a new beard, the great mop of curly red hair as... Read more... |
theartsdesk Q&A: Soprano Elizabeth WattsSunday, 08 November 2015
Not many people write conspicuously brilliant tweets, but Elizabeth Watts is someone who does. Working on the most demanding aria on her stunning new CD of operatic numbers and cantatas by the lesser-known of the two Scarlattis, father Alessandro... Read more... |
Fröst, Gewandhausorchester Leipzig, Chailly, BarbicanSaturday, 24 October 2015
Final thoughts: a fitting theme for the farewell concert of this year’s Gewandhaus Barbican residency. But the connections proved tenuous: Death and Transfiguration, the gloomy opener, was written when Strauss was only 25, and the Mozart Clarinet... Read more... |
Tetzlaff, Gewandhausorchester Leipzig, Chailly, BarbicanFriday, 23 October 2015
In practice as well as in prospect, the second in Riccardo Chailly’s Strauss/Mozart trilogy was a concert of two very different halves. The first offered small Bavarian and Austrian beer in the shape of Strauss’s fustian Macbeth, unbelievably close... Read more... |
Pires, Gewandhausorchester Leipzig, Chailly, BarbicanWednesday, 21 October 2015
Riccardo Chailly’s Strauss odyssey with his Leipzig orchestra peaked in Saxony last year, the 150th anniversary of the composer’s birth. I was lucky to catch a razor-sharp Till Eulenspiegel and a saturated Death and Transfiguration in Dresden’s... Read more... |
Johnston, RLPO, Petrenko, Philharmonic Hall, LiverpoolMonday, 05 October 2015
If you’re going to employ tens of extra musicians for Strauss’s gigantic Alpine Symphony, it’s probably just as well that a few other "biggies" are programmed in the same concert. So it was at the Philharmonic Hall, where the Strauss shared the... Read more... |
Salome, Bournemouth SO, Karabits, Symphony Hall, BirminghamSaturday, 03 October 2015
“How fair is the Princess Salome tonight”! That slithering clarinet run, that glint of moonlight: few operas create their world so instantly and so intoxicatingly. At Symphony Hall, the lights rose on the very back row of the stage, the percussion... Read more... |
Last Night of the Proms, BBCSO, AlsopSunday, 13 September 2015
“A rich and eclectic sequence of works” was the promise made in this evening’s concert programme. It certainly was that, with the Last Night festivities taking in new and old, well-known and obscure, plus a handful of celebrity soloists for good... Read more... |
