sun 06/07/2025

Strauss

Die Frau ohne Schatten, Mariinsky Opera, Gergiev, Edinburgh Festival Theatre

Under Western eyes, Gergiev’s Mariinsky forces had been turning to stone – like the titular shadowless woman's solipsistic husband in Richard Strauss and Hugo von Hofmannsthal’s polyphonic fairy tale – each time they stepped outside the Russian...

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BBC Proms: Martinpelto, BBC Scottish Symphony Orchestra, Runnicles/ Tallis Scholars

Leonard Tanner, my old choirmaster, used to say that Brahms was a composer with his feet in three different camps: the Baroque period, the Classical period, and the Romantic. Possibly he had a fourth leg too, poking into the music of the future....

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BBC Proms: Little, BBCSO, Davis/ Late Night Grainger

June Tabor: six minutes of solo transcendentalism in the Albert Hall

They came in their thousands again last night, most – I’m guessing – for “the Elgar”. Lacking faith that Tasmin Little could fill the enormous soul of that most elusive of violin concertos – a prejudice, alas, fulfilled - I put my money on the...

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BBC Proms: Midori, CBSO, Nelsons

Andris Nelsons: a conductor whose legend proves equal to the great Alexander Nevsky

Jealousy of people who live in Birmingham is not (I venture to hazard) so widespread a phenomenon as to merit a name all its own. After last night’s Prom from the CBSO and music director Andris Nelsons however, a term may well have to be coined for...

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Classical CDs Weekly: Beethoven, Dvořák, Strauss

Emmanuel Krivine's Beethoven: 'You’re convinced that what you're hearing is the only way this music should ever sound'

This week we’ve a brilliant, budget-priced box of Beethoven symphonies played on authentic instruments. It’ll remind you of how much fun there is to be had with this most iconic of composers. A historical recording of a famous cellist reappears, but...

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Brewer, LPO, Jurowski, Royal Festival Hall

Christine Brewer: Heroic model of a Strauss soprano, soars in the Four Last Songs

In a London Philharmonic season playing safer than before, principal conductor Vladimir Jurowski has earned the right to a few meat-and-two-veg programmes. Even in a concert containing more than a handful of your hundred best tunes, Wagnerian...

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2001: A Space Odyssey with live score, Philharmonia, de Ridder, Royal Festival Hall

Imagine a special two-hour-plus resurrection of that wannabe extravaganza Stars in Their Eyes. "So, young maestro André de Ridder, who are you going to give us?" "Well, in addition to showing my special flair for contemporary music in Ligeti, I'm...

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Intermezzo, Scottish Opera, Theatre Royal, Glasgow

A glittering, gaudy surface and an epic, sometimes disturbing underbelly are what many of Klimt’s canvases and Richard Strauss’s autobiographical bourgeois comedy of marital misunderstanding have in common. It was the main idea of Wolfgang Quetes’s...

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Dame Margaret Price, 1941-2011

Perhaps her greatest achievement on disc is a role she would never have attempted in the theatre, Wagner's Isolde. Supported by the great Carlos Kleiber, the sheer meaning and luminous tone colours Price brings to every line make this one of the...

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BBC Symphony Orchestra, John Wilson, Barbican

Once upon a time, composers ran Hollywood. As conductor John Wilson reminded us last night, 44-time Oscar nominee and movie composer Alfred Newman became so powerful as second in command at MGM that he had two security guards posted at his office...

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Brewer, BBCSO, Bělohlávek, Barbican Hall

Exactly an hour and a half after Wagner's first orchestral brew of sex and religion had raised the curtain on the Royal Opera Tannhäuser, the pilgrims and floozies were at it again over the other side of town. If there was hardly the whiff of...

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Hardenberger, Philharmonia Orchestra, Nelsons, Royal Festival Hall

The heroics came fast and fervently with Andris Nelsons and the Philharmonia Orchestra emerging from suffocating pianissimi to rip out the exultant fanfares of Beethoven’s Leonora No 3 Overture as if already limbering up to take on Strauss’s critics...

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