tue 15/07/2025

Southbank Centre

Die Entführung aus dem Serail, OAE, Queen Elizabeth Hall

Susan Gritton: A powerful force as Mozart's most virtuosic of heroines

A problem child in any number of ways, Mozart’s Die Entführung aus dem Serail doesn’t always get the professional attention it deserves, certainly not from London companies. The opera’s last outing at the Royal Opera House dates back almost a decade...

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Paco de Lucía, Royal Festival Hall

Best foot forward: Paco de Lucía, Spain's musical Picasso

The sense of occasion around flamenco guitarist Paco de Lucía’s return to London was palpable. The Royal Festival Hall was heaving. Queues at the bars before the show and during the interval were three or four deep. Spanish was everywhere. And that...

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Sir Charles Mackerras Memorial Concert, Royal Festival Hall

Sir Charles Mackerras during rehearsals for his final Philharmonia concert last December

In the last year of his life he was, as a colleague noted when we learned of Charles Mackerras’s death, the wise old gamekeeper in the spring forest of Janáček's Cunning Little Vixen. No wonder Mackerras, we were told last night by his conductor...

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Who earns £630,000 at the Royal Opera House?

As arts cuts announced today start to bite, few people are aware that the Royal Opera House pays its two top people more than £630,000 and nearly £400,000 each. Although Covent Garden is refusing to identify them, it is likely that they are chief...

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Lachenmann Weekend, Southbank Centre

Helmut Lachenmann is to instrumental technique what The Joy of Sex was to suburban nookie. A conduit to a whole new carnal world. Even those of us supposedly well versed in what a stringed instrument can do watched the Arditti Quartet perform the...

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Tetzlaff Quartet, Queen Elizabeth Hall

Strange meeting: Viola-player Hanna Weinmeister, violinists Elisabeth Kufferath and Christian Tetzlaff, and cellist Tanja Tetzlaff

Their oaky, cultured and selectively scary-wild playing seemed to cast long autumn shadows over a sparse but intent audience. This is the kind of rare programme top violinist Christian Tetzlaff, his cellist sister Tanja and friends like to work on...

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Teresa Carreño Youth Orchestra of Venezuela, Vásquez, Royal Festival Hall

It's now 21 years since I first heard the then-untrumpeted protégés of El Sistema, the Venezuelan phenomenon which has launched a thousand youth-and-music projects worldwide. On that occasion the Royal Festival Hall was less than a quarter full, but...

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theartsdesk in Berlin: More Venezuelans, Even Younger

Just seconds into a performance by the Orquesta Sinfónica Juvenil Teresa Carreño it is immediately clear what Sir Simon Rattle meant when he said, “I have seen the future of music.” The passion and physical and mental energy with which they play,...

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Kissin, LPO, Neeme Järvi, Royal Festival Hall

Neeme Järvi: Easy mastery that lifts the familiar

"Well, Kissin's the star of the show,"  opined the fatuous gentleman who rolled in late to my row after the first piece on the programme. Possibly not, I wanted to snap back, in the light of that very fine pianist's current erratic form. But in any...

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Grimaud, Philharmonia, Salonen, Royal Festival Hall

Esa-Pekka Salonen and his dauntless band of Philharmonia players have been wrestling with heroes. After a celebration of Wagner's Tristan, the legend-making shifted further north last night. Here was Sibelius first as the plain-singing, well-loved...

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London Philharmonic launches concert streaming

For those of us who can't hear Vladimir Jurowski's intriguing LPO programme on Saturday night live - Gergiev calls over at the Barbican, in a typically frustrating London clash - all is not lost. We'll be able to hear it from 4 October streamed via...

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Edwyn Collins, Queen Elizabeth Hall

Edwyn Collins: A pop survivor in every sense

Just before Edwyn Collins came on, the throbbing bassline of Chic's "Good Times" rumbled out across the packed South Bank auditorium. As a statement of intent it was pretty clear. Having suffered two debilitating brain haemorrhages followed by a...

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