mon 14/07/2025

Southbank Centre

King Creosote & Jon Hopkins, Queen Elizabeth Hall

There are some acts you’d rather not catch in a concert hall. The relatively recent pairing of King Creosote and Jon Hopkins isn’t, however, one of them. Diamond Mine, their seven-year project, is a deceptively serious piece of art that prefers...

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John Grant with Midlake, Royal Festival Hall

John Grant’s Queen of Denmark was released less than 18 months ago. Yet here it is, already being performed at one these "so-and-so plays such-and-such an album" shows. Does it merit this treatment? Based on last night, yes. This one-off reunion of...

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Ólafur Arnalds, Queen Elizabeth Hall

Ólafur Arnalds used to drum for a hardcore band called Fighting Shit. But since 2007 he’s produced a string of achingly emotive CDs that integrate sparse piano, keening strings and subtle electronic texture. He’s Icelandic and, inevitably, his...

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London’s South Bank to be engulfed by the past

Vintage at Southbank Centre will celebrate the pop culture of Britain's past

The weekend of 29 to 31 July will see London's Festival Hall transformed into what the venue describes as a “multi–venue vintage playground”. Vintage, founded by Wayne and Gerardine Hemingway, comes to London for the first time to celebrate the...

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Natural Pursuits: Simon Gray at BFI Southbank

Simon Gray: Through the glass, darkly

It’s hardly as if he needed critical resuscitation, but the work of Simon Gray is enjoying a moment in the limelight. Butley, starring Dominic West, is currently on in the West End, while in August BFI Southbank is to show a season of films...

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Light Fantastic, BBCSO, Wilson, Royal Festival Hall/BBC Radio 3

John Wilson: Taking light music to the highest level

If Eric Coates’s Knightsbridge March is good enough for Gergiev, who conducted it as a saving-grace encore of a very messy World Orchestra for Peace Prom in 2005 (17 orchestral leaders in the first violins, not a happy gambit), then it’s certainly...

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Ray Davies, Royal Festival Hall

Tickets were like gold dust for this one and the stage was lit as if some of that dust had been sprinkled on the Festival Hall in a midsummer dream of a concert. The massed ranks of the Crouch End Festival Chorus, London Philharmonic Orchestra and a...

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A Tribute to Tony Wilson, Purcell Room

Tony Wilson: From denim-clad regional TV presenter to doggedly passionate cultural icon

The Meltdown Festival's tribute to Tony Wilson was a lot like the charismatic post-punk legend himself: funny, eccentric, obscure, populist; all over the place but never dull. Wilson died in August 2007 and this event was a reminder of his...

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Maxwell Davies's Eight Songs for a Mad King/ Birtwistle's Secret Theatre, Queen Elizabeth Hall

World premiere performance of Maxwell Davies's 'Eight Songs' with Roy Hart

"I used to be able to run down these," whispered a wobbly 77-year-old Harrison Birtwistle to friends as he stumbled down the stairs to the Queen Elizabeth Hall stage to take his bow at last night's London Sinfonietta concert (for some inexplicable...

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Ingrid Fliter, Queen Elizabeth Hall

Argentinian pianist Ingrid Fliter has 'an engineer's feel of logistics, a circus entertainer's eye for variety and a bombardier's sense of timing'

We all make mistakes. I was absent for the start of Ingrid Fliter's Tempest sonata at her Queen Elizabeth Hall debut. Fliter was absent (mentally speaking) for much of the final movement of the Appassionata. The parts of Fliter's recital that we...

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Syriana, Purcell Room

“Oh, there you are!” Some but not all of Syriana finally locate the photographer

As someone brought up on the concise innocent perfection of the pop single, I have to confess I’m a bit of a hard sell when it comes to sprawling instrumentals. They feel like unfinished songs to me; empty landscapes that need figures in them to...

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Brewer, LPO, Jurowski, Royal Festival Hall

Christine Brewer: Heroic model of a Strauss soprano, soars in the Four Last Songs

In a London Philharmonic season playing safer than before, principal conductor Vladimir Jurowski has earned the right to a few meat-and-two-veg programmes. Even in a concert containing more than a handful of your hundred best tunes, Wagnerian...

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