Southbank Centre
Sioned Williams, Purcell RoomWednesday, 15 October 2014
What Anne-Sophie Mutter is to the violin, Alison Balsom to the trumpet and Sabine Meyer to the clarinet, so is Sioned Williams to the harp. Though Meyer had the glass-ceiling distinction of being the first woman in the Berlin Philharmonic, Williams’... Read more... |
A Night Under the Stars: Latin Spirit, Royal Festival HallFriday, 10 October 2014
London homelessness charity The Passage was set up in 1980 and has been growing steadily so that it now provides a day centre, short-term hostel and long-term housing in an effort to help street sleepers get their lives back on track. Its annual "A... Read more... |
'For classical musicians, Radiohead are the band'Wednesday, 01 October 2014
The first time I interviewed Richard Tognetti he told me a story. Prior to touring the Australian Chamber Orchestra to Japan, the group’s leader and artistic director was discussing publicity with a local PR. Faced with disappointing ticket sales he... Read more... |
Daniil Trifonov, Royal Festival HallWednesday, 01 October 2014
Daniil Trifonov, 23, has shot to prominence as one of the hottest pianistic properties of the moment. With multiple competition wins behind him, including the Tchaikovsky in his native Russia, plus a recording contract with DG and a frenetic globe-... Read more... |
Grande Messe des Morts, Philharmonia, Salonen, RFHFriday, 26 September 2014
Hector Berlioz knew from early on in life which aspects of death he would want to avoid. He had seen quite enough of the medical textbooks that his father had tried to foist upon him. He had even got as far as smelling the dissecting table as a... Read more... |
Bavouzet, LPO, Jurowski, Royal Festival HallThursday, 25 September 2014
Comparisons, even on paper, between two season openers from London orchestras could hardly have been more instructive. I didn’t attend Valery Gergiev’s London Symphony Orchestra concert last week, for reasons several times outlined on theartsdesk.... Read more... |
10 Questions for Conductor Vladimir JurowskiTuesday, 23 September 2014
The Russian conductor Vladimir Jurowski, chief conductor of the London Philharmonic Orchestra, heads its major new series devoted to the music of Sergei Rachmaninov, in context with his forerunners and successors. This is to be the largest... Read more... |
Joan Baez, Royal Festival HallThursday, 18 September 2014
The next revolution of civil disobedience is unlikely to be a ticketed event, with a sedentary congregation of grey-haired, nostalgic former hippies. And the Royal Festival Hall (even at full capacity) is a mere campfire compared to Joan Baez's... Read more... |
Mulatu Astatke, Royal Festival HallSunday, 14 September 2014
It was Jim Jarmusch’s film Broken Flowers that first really got Mulatu Astatke major Western attention – in same way that Angelo Badalementi’s music for Twin Peaks gave a rich and strange dimension to David Lynch’s TV epic, there was an even greater... Read more... |
Art Garfunkel, Royal Festival HallFriday, 12 September 2014
The voice no longer soars with easeful power, nor does it possess that tingling, honey-coated purity that gave hits such as “Bridge Over Troubled Water” such emotional force. This should hardly come as a surprise, since Art Garfunkel is now 72. Away... Read more... |
First Person: Disabled artists take on the worldSunday, 31 August 2014
The audience comment I most want to hear during next week's Unlimited Festival is: this show has transformed my perception of disability. We got that over and over and over during the first Unlimited Festival, which ran as part of the Cultural... Read more... |
Ursula Martinez: My Stories, Your Emails, Purcell RoomWednesday, 06 August 2014
In her book How To Be a Woman, Times columnist Caitlin Moran explains the difference between strip clubs and burlesque shows, and why the latter are perfectly acceptable to feminism. “In burlesque, the power rests with the person taking their... Read more... |
