Southbank Centre
Bondarenko, LPO, Jurowski, Royal Festival HallSunday, 08 February 2015
The concert season’s title may be Rachmaninoff Inside Out. But the work that dominated and got people talking in yesterday’s instalment of Vladimir Jurowski’s London Philharmonic series was by another composer entirely. “Weird, isn’t it?” said the... Read more... |
Hannigan, LPO, Jurowski, Festival HallThursday, 29 January 2015
Barbara Hannigan, we all know, is game for anything. This Canadian soprano with the pearliest tones and the dramatic instincts of a Sarah Bernhardt can find beauty and meaning in almost every contemporary composer’s barbed wire. Recently she’s been... Read more... |
Leiferkus, LPO, Jurowski, RFHThursday, 22 January 2015
To pair Rachmaninov’s brooding and little-performed The Miserly Knight with Wagner's brooding but much-performed Das Rheingold is an audacious piece of programming. The operas share an interest in the mortal power of money, and Rachmaninov’s score... Read more... |
James Dillon's Stabat Mater, London Sinfonietta, Volkov, QEHThursday, 22 January 2015
James Dillon calls this major work, premered at the Huddersfield Contemporary Music Festival last November, a “Cubist Stabat Mater”. He sets the hymn, but adds in more recent words, texts on related themes by Picasso, Kristeva and Rilke, among... Read more... |
Simón Bolívar Symphony Orchestra of Venezuela Concert 2, RFHSaturday, 10 January 2015
The Simón Bolívar orchestra is the musical answer to the question “Would you like to supersize that?” A youth orchestra in bulk, if no longer in name, the ensemble has made a signature of its heft, making repertoire work on its own terms rather than... Read more... |
Simón Bolívar Symphony Orchestra of Venezuela, Dudamel, RFHFriday, 09 January 2015
Youth may have vanished from the title, and its first flush is gone from the cheeks of most of the young persons. Now they’re in their prime, a magnificent sight – and the sound, too, is that of a world-class orchestra with a voice. Which we heard... Read more... |
Best of 2014: Classical ConcertsTuesday, 30 December 2014
Offshoots of the Venezuelan El Sistema’s worldwide dissemination as well as other youth and music projects continued to bloom and grow in 2014. The morning after what was the orchestral concert of the year for many who caught it, Alexandra Coghlan (... Read more... |
Messiah, OAE, Howarth, Royal Festival HallWednesday, 10 December 2014
Goldilocks would not have been a good conductor. There’s a reason why there isn’t a dynamic marking between mezzo forte and mezzo piano. Mezzo on its own would be a pretty bland state of affairs, sat solidly in an inoffensive state of not-too-loud-... Read more... |
Stefanovich, Currie, Queen Elizabeth HallMonday, 08 December 2014
Tamara Stefanovich and Colin Currie – a dream team for Birtwistle’s The Axe Manual. Both are new music specialists with a gift for grace and dexterity, even in the most complex works. The score sets up a range of sophisticated relationships between... Read more... |
Aimard, LPO, Jurowski, Royal Festival HallSunday, 07 December 2014
In words and music Harrison Birtwistle isn’t always as gruff as he’s been painted. Interviewed over the summer during one of his 80th birthday Prom concerts, the composer tossed off enough humorous remarks to suggest that a new career could almost... Read more... |
Birtwistle 80th Birthday Concert, London Sinfonietta, Atherton, QEH reviewSaturday, 06 December 2014
Sir Harrison Birtwistle has never sought to make life easy for his audiences, nor for interviewers, often giving short shrift to both. His music is as uncompromising as his carefully curated public persona. But fortunately last night we were treated... Read more... |
Levit, LPO, Jurowski, Royal Festival HallThursday, 04 December 2014
If Brahms’s First Symphony has long been dubbed “Beethoven’s Tenth”, then the 23-year-old Rachmaninov’s First merits the label of “Tchaikovsky’s Seventh” (a genuine candidate for that title, incidentally, turns out to be a poor reconstruction from... Read more... |
