Shostakovich
Lill, Moscow State Symphony Orchestra, Kogan, Symphony Hall BirminghamTuesday, 17 May 2016
Behemoth Dances. Who dances? You know, Behemoth, the huge demonic black cat who cakewalks through Stalin’s Moscow in Bulgakov’s The Master and Margarita spreading mayhem and magic; the spirit – as quoted by Bulgakov, and taken by Stephen Johnson as... Read more... |
BBC Young Musician 2016Monday, 16 May 2016
What makes a musical performance? The final of Young Musician 2016 presented five judges with this philosophical teaser to ponder. For the previous 90 minutes three contestants with three radically contrasting styles of delivery cleared every bar in... Read more... |
Tsybuleva, Institut Français/TAM Estonia, St James PiccadillyMonday, 21 March 2016
Cherrypicking from 17 concerts to come up with the one by last year's Leeds International Piano Competition winner may seem a bit unfair to the French Institute's ever more ambitious annual It's All About Piano! Festival. It was hard, for instance,... Read more... |
Vassallo, CBSO, Chauhan, Symphony Hall BirminghamThursday, 10 March 2016
Funny thing, musical fashion. Most listeners would call Borodin’s Polovtsian Dances a popular classic – yet before tonight, I doubt they’d had a professional performance in Birmingham this century. Then there’s the case of Osvaldo Golijov. Remember... Read more... |
theartsdesk in Oslo: Vasily Petrenko, the Leningrad Dynamo, comes to townWednesday, 24 February 2016
I've never thought of myself as a Shostakovich fan, tending to regard what I know of his output as bleak and forbidding. Photographs of the stone-faced composer with the mortuary attendant's demeanour haven't helped.All this changed after a night... Read more... |
Gutman, LPO, Jurowski, RFHThursday, 28 January 2016
Risk-taking is what gives so many of Vladimir Jurowski's concerts with the London Philharmonic Orchestra their special savour. But did two risks for last night's programme pay off? I was as excited as many Russians and hardcore Russophiles at the... Read more... |
Hadland / Moser Brothers, Wigmore HallMonday, 04 January 2016
Prokofiev milestones stood proudly at the ends of the New Year’s first three major UK concert programmes. The Second Piano Sonata raged as the zenith of the composer’s generous enfant terrible period in Christian Ihle Hadland’s journey through two... Read more... |
Best of 2015: OperaWednesday, 30 December 2015
How ironic that English National Opera turned out possibly the two best productions of the year after the Arts Council had done its grant-cutting worst, punishing the company simply, it seemed, for not being the irrationally preferred Royal Opera.... Read more... |
Kurt Masur (1927-2015)Sunday, 20 December 2015
This is difficult. An official obituary, such as the one I’ve just finished for The Guardian, has no problem in pointing out the achievements of Kurt Masur’s distinguished career. Whatever his party-line status in Honecker’s East Germany, which he... Read more... |
Classical CDs Weekly: Scarlatti, Shostakovich, TavernerSaturday, 07 November 2015
Alessandro Scarlatti: Con eco d'amore – Arias from operas and cantatas Elizabeth Watts (soprano), The English Concert/Laurence Cummings (director and continuo) (Harmonia Mundi)Scarlatti? He of keyboard sonata fame? That's actually Domenico; this... Read more... |
Lady Macbeth of Mtsensk, English National OperaSunday, 27 September 2015
“The music quacks, hoots, pants and gasps”: whichever of his Pravda scribes Stalin commandeered to demolish Shostakovich’s “tragedy-satire” in January 1936, two years into its wildly successful stage history, didn’t mean that as a compliment, but it... Read more... |
Last Night of the Proms, BBCSO, AlsopSunday, 13 September 2015
“A rich and eclectic sequence of works” was the promise made in this evening’s concert programme. It certainly was that, with the Last Night festivities taking in new and old, well-known and obscure, plus a handful of celebrity soloists for good... Read more... |
