thu 12/06/2025

Shostakovich

theartsdesk Q&A: Conductor Neeme Järvi

Honour your senior master conductors: there aren't so many of them left now. Abbado and Haitink spring most readily to mind, but orchestral musicians may also nominate Neeme Järvi, who celebrated his 74th birthday last week. A passionate patriot and...

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Classical CDs Weekly: Górecki, Haydn, Shostakovich, Second Viennese School

Second Viennese School quartets: 'Music which can curdle milk, so make sure the fridge door is closed'

It’s string-quartet Saturday – a young German group tackle Soviet classics and a rejuvenated Russian quartet smile with Haydn. There’s music from a contemporary Polish master and exquisitely uncomfortable fin-de-siècle music from Vienna....

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Alexander Melnikov, Wigmore Hall

How important is it to hear “the composer’s intentions” at a concert? Maybe only the interpreter’s intentions are possible. The young Russian pianist Alexander Melnikov challenges the golden rule of faithfulness to source with the resources of today...

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Japanese musicians give earthquake benefit concert

Tadaaki Otaka - conducting for earthquake relief

The Sapporo Symphony Orchestra had already scheduled a London appearance as part of its 50th-anniversary tour when the Japanese earthquake and tsunami struck. Now all proceeds from the Royal Festival Hall concert on 23 May will go directly to the...

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Classical CDs Weekly: Handel, Russians, Labèques, Sackbuts

Handel's 'Alexander's Feast': 'A celebration of the positive power of music'

There is a change to our coverage of classical CD releases. Since theartsdesk began in September 2009, we have been reviewing on a monthly basis. As of today we're switching to weekly and our round-up of the new classical albums will now appear...

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Classical CDs Weekly: Tchaikovsky, Shostakovich, Sackbuts

This week, we’ve a Russian flavour – historic, idiomatic performances of Tchaikovsky symphonies, and exciting readings of Shostakovich piano concertos. And there’s a sackbut recital…Shostakovich, Piano Concertos, Piano Quintet, Martin Helmchen (...

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Royal Scottish National Orchestra, Neeme Järvi, Usher Hall, Edinburgh

Neeme Järvi: A master of the slow burn

White-knuckle crescendos loom large in that greater-than-ever conductor Neeme  Järvi's spruce Indian summer. Short-term bursts were the chief payoff in tackling Dvořák's deceptively simple-seeming Serenade for Strings with a huge department on all...

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Kavakos, London Symphony Orchestra, Gergiev, Barbican Hall

Valery Gergiev: Tchaikovsky in black and white

Heavy-goods vehicles stacked with lamentations have been thundering through the Barbican Hall. Saturday's lugubrious Rachmaninov found a mid-20th-century counterpart last night in the tough elegies of Shostakovich's First Violin Concerto - apt for a...

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Ax, London Philharmonic Orchestra, Jurowski, Royal Festival Hall

Vladimir Jurowski: A demonic twinkle in the eye

Send in the clowns. Or at least that was Vladimir Jurowski’s musical thinking in bringing together the mighty foursome of Prokofiev, Stravinsky, Haydn and Shostakovich and seeing just how far their capricious natures might take us. The allusions and...

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Zehetmair Quartet, Wigmore Hall

Austere celebrants of Beethoven and Shostakovich: Ursula Smith, Kuba Jackowitz, Ruth Killius and Thomas Zehetmair

This is the second Sunday in a month that I've sat in the Wigmore Hall and been plunged into an evening of ferocious concentration from the very first bars. Mid-January saw violinist Leonidas Kavakos and his phenomenal pianist Enrico Pace carving...

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Khachatryan, London Symphony Orchestra, Gergiev, Barbican Hall

Valery Gergiev’s survey of the Tchaikovsky symphonies began here on a chilly January night with youthfully idealistic Winter Daydreams thrown into the sharpest relief against a disillusioned and angry Shostakovich whose own journey into the bleak...

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London Philharmonic Orchestra, Vasily Petrenko, Royal Festival Hall

That in itself was enough to tell us that Petrenko isn’t just a supremely elegant conductor, an easy stylist able to make Stravinsky’s fiddly early Scherzo fantastique sound natural and to paper over the cracks of a tottering soloist, Oleg Marshev,...

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