mon 14/07/2025

Shakespeare

DVD: Macbeth

Your Macbeth opens in the round, tailored to a small studio theatre. In entrusting it to television, do you engage someone experienced in the medium to render faithfully the spaces and the talking heads, as Trevor Nunn did for the deservedly...

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Richard III, Old Vic

It's the hard-hitting hoedown of high summer. Old Vic supremo Kevin Spacey being reunited with director Sam Mendes for the first time since 1999's American Beauty was bound to make 'em whoop, and their new production of Richard III doesn't...

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Shakespeare Double Bill, Propeller, Hampstead Theatre

Stealing a march, and then some, on Kevin Spacey: Richard Clothier plays Richard III

As further proof that Shakespeare plays come these days not as single spies but in battalions, the London leg of the all-male Propeller ensemble's lengthy tour has pitched up in the capital in time to deliver their Richard III within days of Kevin...

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Dream again

It's not often that we in the critical world revisit a production towards the end of a run to see how it's settled. I had two reasons for wanting to return to Christopher Alden's English National Opera production of Britten's A Midsummer Night's...

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Being Shakespeare, Trafalgar Studios

All the world's a stage: Simon Callow and Jonathan Bate bring Shakespeare to life

There’s a lovely moment in A Midsummer Night’s Dream where Peter Quince assigns roles to his company of rude mechanicals. Unsatisfied with the part of the hero, Bottom interrupts, insisting he be allowed to play not only Pyramus but heroine Thisbe...

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Rosencrantz and Guildenstern Are Dead, Theatre Royal Haymarket

Lightning hasn't quite struck twice at the Theatre Royal Haymarket, where Trevor Nunn's dazzling reclamation of early Terence Rattigan (Flare Path) has been followed by the same director's transfer from Chichester of Rosencrantz and Guildenstern Are...

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Romeo and Juliet, Royal Ballet, O2 Arena

Taking ballet to the masses: the Royal Ballet's corps de ballet on the roof of the O2

The Royal Ballet says it is inviting a new audience to experience the thrill of live ballet by taking Romeo and Juliet to the gigantic O2. Beware what you wish for. It’s the thrill of the live audience I’m starting with before I get onto the...

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theartsdesk in Stratford-upon-Avon: A New Stage for Shakespeare

When the Royal Shakespeare Company seemed to be falling apart in the late 1990s, there was genuine cause for concern. The troupe had no automatic monopoly over performances of Shakespeare, nor could it claim a very particular style in its stagings....

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Much Ado About Nothing, Wyndham's Theatre

If a great whorl of bubblegum were plonked on Trafalgar Square's fourth plinth all summer long, would there be any point in complaining about it? How do you criticise the uncriticisable? A new Much Ado About Nothing at Wyndham's is Shakespeare-by-...

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Classical CDs Weekly: Boyle, Martin, Rachmaninov

Antonio Pappano delivers satisfying richness and brooding intensity

This Saturday we’ve a new recording of a famous Russian symphony played by an Italian orchestra under their London-based principal conductor. There’s a rare Shakespearean opera written in the 1950s by a Swiss master using a German text. And a...

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Much Ado About Nothing, Shakespeare's Globe

Everybody’s talking about Much Ado About Nothing. At dinner tables, the pub and on the Bakerloo Line the only cultural conversation to be overheard having is whether David Tennant and Catherine Tate will be as wonderful as we all want them to be as...

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Macbeth, Royal Opera

The staging smacks of Covent Garden's familiar Verdi-by-numbers - surprising since it's the often inventive Phyllida Lloyd's concept, revived by Harry Fehr, but it might as well be the inert pageantry of Elijah Moshinsky - while the necessary...

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