Sadler's Wells
Darcey Bussell: Looking for Margot, BBC OneWednesday, 21 December 2016
Classical dancers conventionally have the briefest of all performing careers in the arts, knowing from the very beginning that they'll be lucky to have 20 years of performing at the top of their abilities, after at least 10 years training from... Read more... |
The Red Shoes, Sadler's WellsFriday, 16 December 2016
Anyone expecting a knockout punch from Matthew Bourne’s latest creation is in for a let-down. His hotly anticipated take on Powell and Pressburger’s 1948 film, unlike his Swan Lake, is not going to send anyone out into the night weeping into their... Read more... |
Swan Lake/Loch na hEala, Sadler’s WellsMonday, 28 November 2016
Booking a ticket for a show devised by Michael Keegan-Dolan has always required an act of faith, and this is no exception. ‘If I say this is a house, it’s a house,” says the evening’s laconic compere, Mikel Murfi, gesturing with his cigarette to... Read more... |
Conceal/Reveal, Russell Maliphant Company, Messums BarnMonday, 28 November 2016
An inviting gap in the market, a dark, mysterious place, was left beckoning when the dance theatres of Britain cashed in on expensive refurbs in the name of public accessibility. Putting an end to mystique, they homed in on IKEA style, all glass,... Read more... |
Akram Khan's Giselle, Sadler's WellsSaturday, 19 November 2016
Thank God for Akram Khan, English National Ballet, and Tamara Rojo. Their new Giselle, which finally arrived at Sadler's Wells this week after its Salford premiere in September, is a work of intelligence, power, beauty, and - most gratifying of all... Read more... |
Shakespeare triple bill, Birmingham Royal Ballet, Sadler's WellsWednesday, 12 October 2016
Shakespeare has always been a fertile source of inspiration for story ballets. Plays which exist in multiple dance versions include Romeo and Juliet, The Tempest, A Midsummer Night's Dream, The Taming of the Shrew and Hamlet, while Shakespeare... Read more... |
Natalia Osipova, Sadler's WellsFriday, 01 July 2016
Why does Natalia Osipova, one of the world's best classical, dramatic ballerinas, want to start a sideline in contemporary dance in the middle of her career? Two years ago, when she mounted her first self-commissioned contemporary triple bill with... Read more... |
Betroffenheit, Sadler's Wells/Ballet BC, Birmingham HippodromeThursday, 02 June 2016
I could tell you what the German word "Betroffenheit" means by giving a dictionary definition, etymology and connotations and so on. But I won't, because this dance-drama hybrid by Jonathan Young and Crystal Pite is precisely not about pinning down... Read more... |
BalletBoyz, Life, Sadler's WellsFriday, 22 April 2016
Hearing that both Javier de Frutos and rabbit heads appear in the new BalletBoyz bill might give you pause. A choreographer so unafraid of graphic content that he started his career with naked one-man shows, and later made a piece about the Pope so... Read more... |
She Said, English National Ballet, Sadler's WellsFriday, 15 April 2016
Why are there so few female choreographers? Tamara Rojo, bugged by the fact that in 20 years on the ballet stage she had never danced anything choreographed by a woman, has stopped wondering and started doing something about it. ENB’s latest... Read more... |
Kaash, Akram Khan Company, Sadler's WellsFriday, 04 March 2016
This new run of Kaash is an interesting test case for Akram Khan Company as its eponymous founder approaches his retirement from stage performance (forecast for next year). Kaash was Khan's first full-length work, created in 2002 and widely... Read more... |
Voces, Ballet Flamenco Sara Baras, Sadler's WellsFriday, 19 February 2016
Claims to embody the spirit of flamenco, or to be born with flamenco in one's blood, abound in the programme of the annual Sadler's Wells flamenco festival. Sara Baras, whose show Voces opened the two week festival on Tuesday, doesn't make such a... Read more... |
