thu 03/07/2025

Royal Opera

Orphée et Eurydice, Royal Opera

The tale of Orpheus – a musician so talented his art could overturn the laws of the universe – is the originary myth of opera itself. Is it any wonder, then, that it’s a story that the genre continues to tell and retell with such care and...

Read more...

Listed: Essential Operas 2015-16

September is upon us and it’s nearly time for the new season. English National Opera’s Artistic Director John Berry may have left the building but his enterprising legacy lives on in a 2015-16 season that looks on paper as good as any in the past 20...

Read more...

The Magic Flute, Komische Oper Berlin, Edinburgh Festival Theatre

In 2007, a tiny British theatre company called 1927 staged their first ever show at the Edinburgh Fringe – the darkly reimagined collection of fairytales and fables Between the Devil and the Deep Blue Sea. Now, almost a decade on, they are back...

Read more...

The Corridor/The Cure, Linbury Studio Theatre

Thresholds are breached and barred, penetrated and sealed up in Harrison Birtwistle’s beguiling pair of mythological scenas The Corridor and The Cure. Originally commissioned by the Aldeburgh Festival in 2009, The Corridor is paired here for the...

Read more...

The Virtues of Things, Linbury Studio Theatre

How many words would you expect in an average libretto? 10,000? 15,000? Whatever that number is you can triple it and then some for The Virtues of Things – a new opera from Sally O’Reilly and Matt Rogers of astonishing, exhausting, battering...

Read more...

Król Roger, Royal Opera

Let’s get one thing straight at the outset: Szymanowski’s 1926 opera Król Roger isn’t a lovely occasional oddity, a rarity whose appeal is largely novelty, or a dust-it-off-once-a-decade sort of piece. It’s that rarest of things, a real and original...

Read more...

King Size, Theater Basel, Linbury Studio Theatre

A journey into dreams through songs from Dowland to The Kinks; a Swiss director who, Covent Garden’s Director of Opera Kasper Holten assures us, is “one of the most important European theatre artists”; a Norwegian chanteuse who, I assure you, is a...

Read more...

Andrea Chénier, Royal Opera

What kind of regime, asks Gérard, talks of justice while killing poets? It’s a question the answer to which suggests itself all too swiftly this week, briefly turning a revolutionary romp of an opera into something rather more chilling. Playing...

Read more...

Orfeo, Royal Opera, Roundhouse

It’s quite a distance from the first performance of Monteverdi’s operatic cornucopia under the Mantuan Gonzagas’ imperious eye to this democratic celebration at the Roundhouse – 408 years, to be precise. Michael Boyd’s production takes us back even...

Read more...

Best of 2014: Opera

When everything works – conducting, singing, production, costumes, sets, lighting, choreography where relevant – then there’s nothing like the art of opera. But how often does that happen? In my experience, very seldom, but not this year. It's been...

Read more...

I Due Foscari, Royal Opera

First the good news. At 73, is Plácido Domingo anywhere near retiring? Er, no. When the question came up in an interview on Sunday (on video below), he answered : "The reason I don't retire is because I can still sing." And then with a glint in his...

Read more...

theartsdesk Q&A: Soprano Kristine Opolais

The best that you can usually expect from an interview is that it takes off from stock beginnings in spontaneous and unexpected directions. This one was rather exciting from the start: the end of a day in the life of a new role, Puccini's good-time...

Read more...
Subscribe to Royal Opera