Royal Albert Hall
Prom 68: Skride, Oslo Philharmonic Orchestra, PetrenkoTuesday, 03 September 2013
The Oslo Philharmonic Orchestra made quite a splash with their Tchaikovsky symphony series under Mariss Jansons back in the 1980s. The watchwords then were freshness and articulation, a re-establishment of Tchaikovsky’s innate classicism - and so it... Read more... |
Prom 62: A Celebration of Charlie ParkerFriday, 30 August 2013
Pianist, composer, and band leader Django Bates was so inspired by Charlie Parker as a teenager that he used to whistle his tunes on the train. This led not to abuse, but the acquaintance (at Brixton station) of saxophonist Steve Buckley. Returning... Read more... |
Prom 60: Billy Budd, Glyndebourne Festival Opera, DavisWednesday, 28 August 2013
You may well ask whether theartsdesk hasn’t already exhausted all there is to say about Glyndebourne’s most celebrated Britten production of recent years. I gave it a more cautious welcome than most on its first airing, troubled a little by the... Read more... |
Prom 59: Hollywood Rhapsody, John Wilson OrchestraTuesday, 27 August 2013
Proms enthusiast that I am, it still isn't often that I leave the Royal Albert Hall with a face that aches from smiling for hours on end. But judging by the endlessly ecstatic applause that greeted John Wilson and his orchestra at the end of every... Read more... |
Prom 57: Parsifal, Hallé, ElderMonday, 26 August 2013
So for one last time this season the impossible colosseum of Albertopolis became the Wagnerian holiest of holies – to be precise, the Cathedral of the Holy Grail - and once again I fell in love with the beast transfigured. Justin Way, the one artist... Read more... |
Rhapsody! How to programme a Hollywood PromSunday, 25 August 2013
Fingers on buzzers: which piece of music at this year’s Proms boasts a percussion section including glockenspiel, xylophone, five pitches of cowbells, car horn, taxi horn, anvils, revolving door noise, smashing glass, bubble-wrap-popping, pistol-... Read more... |
Prom 56: Thibaudet, Gustav Mahler Jungendorchester, JordanSunday, 25 August 2013
The visits of the Gustav Mahler Jugendorchester are a regular Proms highlight, only preceded (for me) by the John Wilson Orchestra in the speed with which they go from announcement to diary. Last year’s concert under Gatti was a whirling celebration... Read more... |
Prom 54: World RoutesFriday, 23 August 2013
Why are the Malians always punching way above their weight in music? There may be some historical reasons. The French always were more welcoming to the culture of their empire than the Brits (and more used to foreign-language music), while Paris... Read more... |
Prom 53: Antonacci, Rotterdam Philharmonic Orchestra, Nézet-SéguinFriday, 23 August 2013
Prokofiev’s Fifth is a symphony for which the conductor’s setting tends to be turned to either bright and light or dark and heavy. Perhaps because of the composer’s perceived joker role as set against Shostakovich the symphonic chronicler of Soviet... Read more... |
Prom 52: Batiashvili, BBC Symphony Orchestra, OramoThursday, 22 August 2013
Concert programmes are designed to make the mind flexible with constant contrasts. More often, though, the great is the enemy of the good-ish. Last night an Elgar masterpiece was always going to overshadow its second-half predecessor, a hazily... Read more... |
Prom 51: Bostridge, London Symphony Orchestra, HardingWednesday, 21 August 2013
There have already been many musical tributes to Sir Colin Davis, whose death in April left us all so much the poorer, but last night’s from the London Symphony Orchestra was particularly and wonderfully poignant. Davis himself was originally... Read more... |
Prom 50: BBC Scottish Symphony Orchestra, VolkovTuesday, 20 August 2013
Standing in the Albert Hall arena, critics’ notepad in hand, I felt rather like PC Plod taking notes at a crime scene. Only there was no serious crime to report in this engaging late-night Prom by the BBC Scottish Symphony Orchestra and its former... Read more... |
