tue 17/06/2025

Royal Albert Hall

Prom 68: Semiramide, OAE, Elder

Between the Berlin Philharmonic, Leipzig Gewandhaus Orchestra and Simón Bolivar Symphony Orchestra it has been a big week at the Proms, in every sense. Scope and scale have been the watchwords for the orchestral tectonics that have taken place, the...

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Prom 66: Berlin Philharmonic, Rattle

The BBC Proms is perhaps the only music festival in the world that would (or could) have programmed performances of Steve Reich in a Peckham car-park and Brahms by the Berlin Philharmonic within a few hours of each other. The audacity of it is...

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Prom 64: Berlin Philharmonic, Rattle

What do Boulez's Éclat, for 15 instruments, and Mahler's Seventh Symphony, for over 100, have in common? Most obviously, guitar and mandolin, symbols of a wider interest in unusual sonorities. But while Boulez aims, as often, for needle point...

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Prom 63: B Minor Mass, Les Arts Florissants, Christie

The BBC Proms is the largest classical music festival in the world – an event whose ambition, accessibility and breadth wouldn’t be possible without the Royal Albert Hall and its capacity of well over 5,000 people. But the building that makes this...

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Prom 61: Kamasi Washington

Californian saxophone phenomenon Kamasi Washington is never knowingly understated. He rocked up for his Proms debut on Tuesday night having led a vast musical entourage on tour across Europe all summer, and delivered an ecstatic, if occasionally...

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Prom 62: Skride, BBCSO, Young

Branding, as any marketing manager will tell you, is everything when it comes to selling, and when it comes to selling, classical music is no different from cars, cornflakes or shampoo. It explains why a Mahler orchestral song-cycle would fill the...

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Prom 60: Gerhaher, Gustav Mahler Jugendorchester, Jordan

There is no reason why young musicians shouldn't make something special out of mature thoughts on mortality. Nor is the Albert Hall problematic when it comes to haloing intimate Bach as finely as it does massive Bruckner. The Gustav Mahler Youth...

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Prom 55: Hannigan, CBSO, Gražinytė-Tyla

If ever there was a Prom to put London’s classical crowd in their place, to remind us (as those outside the capital so frequently and justifiably do) that the city isn’t the be-all and end-all of concert-going, then this was it. It featured three...

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Prom 53: Stadler, RLPO, Petrenko

He still looks every inch the golden boy, but Vasily Petrenko has just turned 40, and next month celebrates a decade with the Royal Liverpool Philharmonic. Time well spent, as this impressive evening revealed: after years of Russian immersion under...

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Prom 48: Weilerstein, BBC Scottish SO, Pintscher

If you go down to the woods today, to be sure of a big surprise is a contradiction in terms, but this pair of sylvan adventures by Matthias Pintscher and Mendelssohn was another example of the discreetly sensitive programme-building which has...

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Prom 45: The Makropulos Affair, BBCSO, Bělohlávek

Karel Čapek, the great Czech writer who pioneered some of the most prophetic dramatic fantasies of the early 20th century, thought Janáček was nuts to want to set his wordy play about a 337-year-old woman to music. He could not have anticipated what...

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Prom 43: Argerich, West-Eastern Divan Orchestra, Barenboim

It's not so long since Daniel Barenboim sat around a table with Israeli officials telling him that Wagner couldn't be played in the homeland when someone's mobile fanfared the "Ride of the Valkyries", demolishing the opposition's case. At the...

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