sun 13/07/2025

rock

Reissue CDs Weekly: Jon Savage's 1969-1971 - Rock Dreams on 45

As one decade gives way to the next, the beginning or end of the ten-year cycle rarely yields anything cut and dried. With pop music, a host of decade-related platitudes have no respect for the decade-to-decade switch. Depending on points of view,...

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Albums of the Year 2019: Liz Lawrence - Pity Party

Picking the best album at the end of the year is always unfair on the early releases. Recency bias means the newer albums carry more excitement. Better Oblivion Community Center's self-titled debut would be a major contender if it had released in...

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Albums of the Year 2019: Leonard Cohen - Thanks for the Dance

Leonard Cohen’s death, just as Trump finagled his way into the White House, was the cruellest of blows. Now more than ever we need his bitter, witty, ironic commentary and wry observations, his wonderful words delivered in that bottomless “golden...

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Liam Gallagher: As It Was, BBC Two review - no expletives deleted in exhausting rock-doc

Liam Gallagher knows exactly how "fucking fantastic… and fucking shit I am", and proceeds to tell us so for 85 minutes. This 10-year documentary project came about as a result of director Charlie Lightening’s friendship with Gallagher, formed...

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Albums of the Year 2019: Seratones - Power

Up until a couple of weeks ago, I had every intention of making Songs Of Our Native Daughters featuring Rhiannon Giddens, Leyla McCalla, Allison Russell and Amythyst Kiah my Album of the year. It’s a solid work of great beauty, elegance and...

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The Libertines, Margate Winter Gardens – last post on the TS Eliot-named tour

Once upon a time – before the nation’s schism – an indie band with dubious reputation espoused the virtues of Albion and invited us on the good ship Arcadia to travel to this Utopia. Things are a bit different now.Unfashionably nostalgic and...

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Reissue CDs Weekly: Big Front Yard

In June 1978, the still-extant independent label Cherry Red issued its first record. The seven-inch featured three slices of terse, Buzzcocks-ish art-punk by The Tights. The band were from Great Malvern, Worcestershire – as was the label. They only...

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Rod Stewart, Royal Philharmonic Orchestra, O2 review - Tonight's the Night

I can’t look at Rod Stewart without thinking of Barbara, one of the naughtier girls in my third-form class at East Barnet Senior High School. She was tiny, and obsessed with him, her hair cut like his. “Maggie May” was number one, playing from tinny...

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theartsdesk on Vinyl Christmas Special 2019

Season’s greetings, vinyl junkies. It’s unfortunate things grew so stinky just as we headed towards the one time when Britain downs tools and disappears to the enjoy itself for a week or two. But let’s try for good will towards all. To help along...

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CD: Harry Styles - Fine Line

Not all One Direction solo albums are created equally, and after Liam Payne's public ostracization for LP1, all eyes are on Harry Styles. His self-titled debut earned some baffling comparisons to David Bowie, so what to expect next?Fine Line is akin...

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Albums of the Year 2019: Imperial Wax - Gastwerk Saboteurs

No-one needs to be told that 2019 was a year which saw the UK, USA and many other countries looking somewhat at unease with themselves. Inevitably, this filtered down into much of the music that was produced under these conditions. Even Peter...

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My Baby, Concorde 2, Brighton review - Dutch three-piece deliver trance dance power

“Trance boogie,” states My Baby frontwoman Cato van Dijck before submersing herself in the rising tribal rhythm of “Sunflower Sutra". Trance boogie is, indeed, what My Baby do. The song is decked with floating flecks of glissando guitar from...

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