Reissue CDs
Reissue CDs Weekly: Robert KirbySunday, 11 March 2018
The similarity is intentional. The cover design of When the Day is Done – The Orchestrations of Robert Kirby nods explicitly to that of Nick Drake’s debut album Five Leaves Left. That wasn’t just the first record by the singer-songwriter, it was... Read more... |
Reissue CDs Weekly: Zoot Money's Big Roll BandSunday, 04 March 2018
“That colourful character Zoot Money has recently been writing at length in support of psychedelic music. Now, what’s the score Zoot, has it got a contribution to make to the scene?” It’s 14 January 1967 and BBC presenter Brian Matthew is... Read more... |
Reissue CDs Weekly: The Voyager Golden RecordSunday, 25 February 2018
What is music? When pondering archive releases, compilations and reissues the question doesn’t come up. Knowledge of context and history means there’s never a need to muse on this fundamental issue. A package, say, dedicated to Northern Soul says... Read more... |
Reissue CDs Weekly: The ChoirSunday, 18 February 2018
During the British Invasion years, a Cleveland, Ohio band called The Choir ploughed a Brit-focussed furrow from late 1964. Initially and tellingly, they were named The Mods. Their prime mover, Dann Klawon, was a subscriber the switched-on UK monthly... Read more... |
Reissue CDs Weekly: Jon Savage's 1965Sunday, 11 February 2018
For Britain, 1965 began with The Beatles’ “I Feel Fine” at the top of the single’s chart. In December, the year bowed out with their double A-side “Day Tripper” / “We can Work it Out” in the same position. But 1965 was not just about The Beatles.... Read more... |
Reissue CDs Weekly: Chris HillmanSunday, 04 February 2018
In 1976, when his first solo album Slippin’ Away was released, Chris Hillman could look back on being a founder member of The Byrds and The Flying Burrito Brothers, two of America’s most important bands. He had also played alongside former members... Read more... |
Reissue CDs Weekly: How is the Air up There?Sunday, 28 January 2018
“I’ve been labelled as an angry young man / Because I don’t fit into the master plan / Under society’s microscope / I look funny but it’s no joke.I’m a social end product so don’t blame me / I’m a social end product of society / It’s not my fault... Read more... |
Reissue CDs Weekly: Television PersonalitiesSunday, 21 January 2018
How much of someone else’s despair is it possible to take? What are the limits on putting a sense of desolation or isolation into a song? Can such naked expression be mediated by a glossy production or crowded instrumental arrangements which... Read more... |
Reissue CDs Weekly: Butterfly ChildSunday, 14 January 2018
The critic Simon Reynolds characterised Butterfly Child’s debut album Onomatopoeia as the sound of “vitrified everglades in J.G. Ballard’s The Illuminated Man, where some kind of entropy has slowed down time, so that living creatures are literally... Read more... |
Reissue CDs Weekly: To the Outside of EverythingSunday, 07 January 2018
Now that the 40th anniversaries of 1976 and 1977 as the years which birthed punk rock have themselves become history, surveyors of rock’s rich tapestry will inevitably turn to what came next. The year 1978 and what followed punk are easy targets and... Read more... |
Reissue CD of the Year: Lal & Mike WatersonSunday, 31 December 2017
In 1972, just 2000 copies of Bright Phoebus were pressed. Half were off-centre and unplayable. This year, the first conscientious reissue of the album hit 31 in the British album chart. Although it has been a cult favourite for the last couple of... Read more... |
Reissue CDs Weekly: The BeatlesSunday, 24 December 2017
The official reissue of The Beatles’ Christmas records is a major event. Since Live at the BBC was issued in 1994, archive Beatles’ releases have fallen into two categories. There have been releases devoted to or drawing from archive disinterments:... Read more... |
