wed 09/07/2025

race issues

Pressure Drop, Wellcome Collection

The liberal meets the far-right hard nut in a play exploring English identity

Four podia occupy the Wellcome Collection’s temporary gallery space. Three are stage sets: a living room, a pub and a funeral parlour, all recognisable as “typical” working class - in fact, the living room might have been based on Pauline Fowler’s...

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Interview: Barrie Keeffe on Sus, The Long Good Friday and London's Changing East End

Within the space of a single year - 1979 - Barrie Keeffe  wrote two scripts which together summed up the very essence of the East End on the eve of Thatcherism. The first, which barely needs introduction, was the now-classic The Long Good...

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The Blind Side

John Lee Hancock's film is a fairly straightforward adaptation of Michael Lewis's biographical book The Blind Side: Evolution of a Game. Michael Oher is virtually homeless when Leigh Anne spots him wandering the streets of suburban Memphis one...

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Gilad Atzmon’s Orient House Ensemble, Vortex

Atzmon:

The force of Israeli-born Gilad Atzmon’s world view – his anti-Zionism, but also what Robert Wyatt, a self-confessed “Gilad groupie”, calls the “intrinsically non-racialist philosophy that's implicit in jazz” – comes through loud and clear in his...

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Roy Chubby Brown, Fairfield Halls

Chances are that you have never heard of Roy “Chubby” Brown. He never performs on television, or is invited to be a guest on chat-shows or panel games, and hell would freeze over before Comic Relief would invite him to be one of their ambassadors in...

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Detaining Justice, Tricycle Theatre

Hallelujah: the prayer meeting scene in Detaining Justice

The plight of asylum-seekers is no laughing matter, but that doesn’t mean that dramas about the subject have to be worthy, or dull. In fact, young playwright Bola Agbaje’s Detaining Justice, which opened last night, is an exemplary mix of laughter...

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Mixed Up North, Wilton's Music Hall

At first glance, verbatim theatre is a total bore. This form of drama, which collects the words spoken by real individuals and puts them into the mouths of actors, has been a central plank of the rebirth of political theatre since 9/11, but its...

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Orphans, Soho Theatre

Theatre is the art of storytelling, and the best stories are those that constantly change their shape. In Dennis Kelly's storming new play, Orphans, which wowed critics and audiences when it opened in Edinburgh in August, the narrative morphs and...

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Creation

The exhilaration of scientific enquiry turns out to be dead on arrival when it comes to Creation, the Jon Amiel film about Charles Darwin that is simultaneously brilliantly timed and also a snore. Survival of the fittest in this context takes on a...

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theartsdesk Q&A: Playwright Richard Bean

Richard Bean's monster mainstage play, England People Very Nice, was about immigration to London's East End - and was easily the most controversial play of 2009. He is a son of Hull (b. 1956). He is one of the most prolific and talented playwrights...

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