punk
Best of 2023: Music Reissues WeeklySunday, 31 December 2023
In the Light of Time - UK Post-Rock and Leftfield Pop 1992-1998 was unexpected. Collecting 17 tracks, it brought a fresh perspective on a particular aspect of the UK’s independent-minded music. This ground-breaking, agenda-setting release was... Read more... |
Trans Musicales Festival 2023 review - a smorgasbord of global soundsTuesday, 12 December 2023
FRIDAYRennes Airport Parc Expo is about three miles west of the city. It’s vast, consisting of 110,000 metres of cavernous warehouse-like hangars, and has hosted everything from Holiday on Ice to France’s hugest annual agricultural conference. Every... Read more... |
theartsdesk on Vinyl 81: Nobro, Adrian Sherwood, Evian Christ, Ozric Tentacles, Maple Glider, Viken Arman and moreTuesday, 12 December 2023
The first of two December theartsdesk on Vinyls which will appear in quick succession. This one's mostly new artists. The next one will be our Christmas Special, filled with seasonal fare and present-suitable reissues and boxsets. For the best... Read more... |
Gogol Bordello, O2 Institute, Birmingham review - an incendiary performance by Eugene Hütz’ gangMonday, 11 December 2023
Gogol Bordello’s gig in Birmingham this week took place on the evening of Shane MacGowan’s funeral and inevitably turned into something of a celebration of that great poet and songwriter’s life. But then, with the raucous folk music on offer, it was... Read more... |
Music Reissues Weekly: Chelsea - The Step-Forward YearsSunday, 10 December 2023
On 21 June 1977, listeners to John Peel’s radio show heard a song titled “Pretty Vacant.” It wasn’t a preview of the forthcoming Sex Pistols single of the same name, which would be in shops on 2 July, but a different song. The band lifting the title... Read more... |
Young Fathers, Usher Hall, Edinburgh review - powerful set from a band who keep pushing boundariesFriday, 03 November 2023
Fresh from winning this year’s Scottish Album of the Year Award – for the third time no less! – Young Fathers gave a spectacular performance on Tuesday night on their home turf, at Edinburgh’s Usher Hall. Sure, it seems odd that a competition that’s... Read more... |
Snayx/Shelf Lives/Monakis, Patterns, Brighton review - storming, punking triple-headerFriday, 20 October 2023
Patterns is a small, low-ceilinged, underground, seafront venue. Tonight it would be a feast for any passing ancient succubae who happens to feed on raw human energy. From 7.00 PM until 10.00 PM, the room plays host to a package tour of three rising... Read more... |
Album: Teen Jesus and the Jean Teasers - I Love YouWednesday, 04 October 2023
Canberra band Teen Jesus and the Jean Teasers continue the recent tradition of Australian indie bands having unwieldy comedy names. However, their music, as laid out on their debut album, has higher aspirations, bridging their scuzzy punkin’ roots... Read more... |
Album: Ash - Race the NightThursday, 14 September 2023
Northern Irish rockers Ash appeared in the mid-Nineties, channelling The Ramones when the UK was in thrall to either bangin’ club music or Britpop. They had a good commercial run, longer than almost all their contemporaries, mustering 18 Top 40 UK... Read more... |
Music Reissues Weekly: Keith Levene and The ClashSunday, 27 August 2023
Forty-seven years ago this week, a new band called The Clash were seen by a paying audience in London for the first time. On Sunday 29 August 1976 they played Islington’s Screen on the Green cinema, billed between Manchester’s Buzzcocks – their... Read more... |
Album: OSEES - Intercepted MessageMonday, 14 August 2023
On the face of it, this is an extremely simple record. It is big, stomping, party-monster neanderthal synth-rock.There’s no new sounds here: the structures are classic garage punk, the synthesisers’ growl and squeal sounds like some jerry-rigged... Read more... |
Album: Public Image Limited - End of WorldWednesday, 09 August 2023
The world might end with a whimper or an inferno, but it’s hard to imagine a day will dawn that extinguishes John Lydon’s scorn for other people’s fecklessness and idiocy. That hand-made polemic typically drives the cauterising post-punk hosannahs... Read more... |
