psychedelia
Album: The Avalanches - We Will Always Love YouSaturday, 05 December 2020
After a 16-year wait for the second album from Australian sample-stitchers The Avalanches, their third, a mere four years later, feels like a rush release by comparison. We Will Always Love You has been preceded by no fewer than four singles which,... Read more... |
Reissue CDs Weekly: Trees - 50th Anniversary box setSunday, 29 November 2020
Fifty years after their first album The Garden Of Jane Delawney was issued in April 1970, Trees seem to be better known than when they were active. Despite Françoise Hardy’s cover version of the title track a couple of years after it hit shops, the... Read more... |
Reissue CDs Weekly: Apple, Jason CrestSunday, 08 November 2020
After their final records were released in 1969, that seemed to be it for Apple and Jason Crest. Releases by both psychedelic-leaning British bands had first hit shops the previous year, and neither oufit made any waves commercially. Of course, that... Read more... |
CD: Cunning Folk - A Casual InvocationMonday, 02 November 2020
As this review goes live on the internet – an invisible medium even more pervasive than coronavirus – we’ve just enjoyed All Hallow’s Eve with not only a Blue Moon but October’s Hunter’s Moon, too, gazing down upon us from the constellation of... Read more... |
Album: Róisín Murphy - Róisín MachineFriday, 25 September 2020
This is a musical homecoming for Róisín Murphy, both geographically and figuratively. She may have been raised in Dublin and spent her gig-going adolescence in Manchester, but Sheffield is where she began her life as a clubber and performer – and it... Read more... |
Album: Rui Ho - Lov3 & L1ghtFriday, 04 September 2020
A new and very strange kind of pop music has bubbled up over the past half-decade plus. It’s internationalist, rooted in both underground electronics and the most populist styles, bound up with playful but sometimes terrifying ultra high definition... Read more... |
theartsdesk Q&A: Record label New Heavy SoundsFriday, 07 August 2020
New Heavy Sounds is one of Britain’s most exciting and undersung labels. Founded in 2011, they have consistently released music that boasts innovation, imagination and a strong female presence. The added sweetener is that this comes attached to... Read more... |
Album: bdrmm - BedroomWednesday, 08 July 2020
Shoegaze stable Sonic Cathedral has, in truth, always been a much broader church than its name implies. From the psychedelic, sunshine pop of Gulp, to the blistering art noise of Spectres, it has consistently released music that shares a similar... Read more... |
Have a Good Trip, Netflix review - a breezy journey into the mindSaturday, 23 May 2020
Don’t do drugs, kids. For the past 50 years, that’s been the consistent message. But how much of what we know about psychedelics is just fearmongering? Do you really want to jump out of a window? Will you permanently lose your mind? To find out the... Read more... |
Album: Kaitlyn Aurelia Smith - The Mosaic of TransformationThursday, 14 May 2020
A singer-songwriter of somewhat mystical bent, originally from a forested island in the US Pacific Northwest, Kaitlyn Aurelia Smith really came into her own when she discovered vintage synthesizers. In particular, her masterpiece, 2016's EARS,... Read more... |
Reissue CDs Weekly: Hangman’s Beautiful DaughtersSunday, 05 April 2020
A raga-rock circularity. Finger cymbals. A distant, etiolated female vocal. A fuggy atmosphere. A kinship with Jefferson Airplane’s “Come Up The Years”, The Jesus and Mary Chain’s “Just Like Honey” and The Velvet Underground’s “All Tomorrow’s... Read more... |
Reissue CDs Weekly: A Slight Disturbance In My MindSunday, 22 March 2020
Two of the 84 tracks on A Slight Disturbance In My Mind: The British Proto-Psychedelic Sounds of 1966 are covers of songs from Revolver. One is a rendering of “Tax Man” (sic) by a band named Loose Ends which was enterprisingly issued as a single on... Read more... |
