sat 19/07/2025

Proms

The Last Night of the Proms, BBC One: The Twitter Review

Part 2 @bbcproms. The madness begins. Ms Derham has not switched gowns in the interval. No sign of Titchmarsh, for which we must give thanks.The "traditional" necklace of laurels for Sir Henry Wood's bust. Wonder if he'd welcome his head being...

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The Art of Conducting 2010

Chris Christodoulou has been honing his focus on conductors in past Proms seasons to wonderful effect, but this year has produced a galaxy of master portraits that outdoes even the immortal cartoons of Gerard Hoffnung in entertainment value. We’ve...

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Monteverdi Choir, English Baroque Soloists, Gardiner, Royal Albert Hall

Monteverdi’s 1610 Vespers are something of a musical enigma. Neither their true pitch nor order of movements, their origins, nor even whether they were intended as a complete sequence is known for certain, prompting scholar Denis Arnold to conclude...

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Röschmann, Collins, BBCPO, Noseda, Royal Albert Hall

Maybe it's a truism that most instrumental music, at least before World War One, aspires to the condition of song. Few have gone farther in that respect than the composers of the three purely orchestral works in last night's Prom. Add to the mix a...

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Orchestre National de France, Gatti, Royal Albert Hall

Daniele Gatti: An evening he'll not forget

It was one of those moments that every conductor (and orchestra) dreads: “The Procession of the Sage” from Stravinsky’s The Rite of Spring is in rip-roaring full cry, percussion grinding and scratching, high trumpet screeching – but Daniele Gatti,...

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RSNO, Denève; Ensemble Matheus, Spinosi, Royal Albert Hall

Is that asking a lot? Probably not, considering what's already been achieved at this year's BBC Proms. Looking back on it, last night felt implausibly rich yet gloriously digestible, too, at least in retrospect. I couldn't have predicted that I...

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Mattila, Berlin Philharmonic Orchestra, Rattle, Royal Albert Hall

My abiding memory of the Berlin Philharmonic’s second Prom under Sir Simon Rattle on Saturday will be of 6,000 people listening with rapt, or at any rate silent, concentration to Schoenberg, Webern and Berg. Has it ever happened before? Perhaps...

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Unlikely soulmates: Beyoncé and Turnage hammer out that ring

Did anyone find the aged-rocker thrash of Mark Anthony Turnage's new work at the Proms, Hammered Out  - a bit of a disappointment to Edward Seckerson - oddly familiar? This brilliant YouTube remix will tell you why. And for all the orchestral flash...

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Gerhaher, Gustav Mahler Jugendorchester, Blomstedt, Royal Albert Hall

Yet again I leave a Herbert Blomstedt concert with a sense of wonderment and bemusement. Wonderment at the extraordinary music-making that this man is capable of. Bemusement as to why he is not better known, his talents not more widely recognised,...

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Hänsel und Gretel, Glyndebourne Festival Opera, Ticciati, Royal Albert Hall

Everyone concerned has, of course, total confidence and bags of experience at the end of a riotous run, warmly applauded by Edward Seckerson at Glyndebourne. Yet there were dangers to be negotiated. Only Irmgard Vilsmaier's Sieglinde-cum-Fricka of a...

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Tognetti, Australian Chamber Orchestra, Cadogan Hall

Australia has many fine exports – wine, women, gap year anecdotes – but increasingly it is her orchestras that are setting the standard. With a magnificent Proms performance from the Australian Youth Orchestra still fresh in the ears (as well as a...

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Vogt, Czech Philharmonic Orchestra, Gardiner, Royal Albert Hall

Short of rolling around the podium like a delirious pig in a mudbath, Sir John Eliot Gardiner couldn't have hidden his enjoyment of the warm, plush sounds and well-upholstered vibrato of this wonderfully old-fashioned orchestra, the Czech...

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