Prokofiev
Cinderella, English National Ballet, touringThursday, 25 March 2010
Was it with a hollow laugh that ENB programmed Cinderella for the election period - as a reminder that glittery fairy phaetons are in fact pumpkins with money? Was it a hint that ballet needs political fairy godmothers? With airwaves full of budget... Read more... |
Classical Music CDs Round-up 5Saturday, 20 February 2010
This month's classical music releases include mighty new recordings of Bach, Brahms, Rachmaninov and Prokofiev by major orchestras. Other recordings shine new light on Nielsen and Dallapiccola and make a case for the genius of Bernard Herrmann. From... Read more... |
The Gambler, Royal Opera HouseFriday, 12 February 2010
Fasten your seatbelts; it's a bumpy ride to the casino. In Prokofiev's wilful but uncompromising take on Dostoyevsky's tale of obsession, all the private paths of love, lust and greed lead to the gambling tables - eventually. The composer saves up... Read more... |
War and Peace, Theatre Royal, GlasgowFriday, 22 January 2010
Two hundred costumes, over 60 solo roles and the world premiere of a great operatic composer's first thoughts: it's a task which would daunt the best-resourced opera company in the world. The fact that Prokofiev's initial, 11-scene meditation on... Read more... |
Romeo and Juliet, Royal BalletWednesday, 13 January 2010
There are times when critics sheathe their quill tips, others when they don’t. Rupert Pennefather, the tall blond Englishman who has been earnestly promoted by the Royal Ballet as hard as they can to be the next Jonathan Cope, has attracted some... Read more... |
The Snow Queen, English National Ballet, London ColiseumFriday, 08 January 2010
If your heart feels frozen while the ice glitters outside, warm it by reading Hans Christian Andersen's sharp, witty and enchanting fairy-tale The Snow Queen, or listen to the best bits of Prokofiev's erratic but often characteristic late ballet The... Read more... |
Peter and the Wolf, RFHMonday, 28 December 2009
Even for a narratorless animation of Prokofiev's Peter and the Wolf like Suzie Templeton's obsessively detailed gem of a film, you probably only need 14 words before you can get on with the business of screening and playing. Peter: strings; bird:... Read more... |
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