mon 11/08/2025

pop music

CD: Laki Mera – The Proximity Effect

The Proximity Effect’s two opening cuts set the stall. Glitchiness gives way to a descending, sad, drifting melody on “The Beginning of the End”. “More Than You” is an upbeat, poppy, Tango in the Night Fleetwood Mac refracted through a chilly Nordic...

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CD: Ed Sheeran - +

When I lived in Brighton in the mid-Nineties, a certain type was 10 a penny. Young, stoned, middle-class buskers, acoustic guitar strummers who were au fait with hip hop and able to improvise endless streams of witty wordplay and often to make human...

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CD: Example - Playing in the Shadows

Example: playing in the shadows is clearly an intensely serious business

Better him than Black Eyed Peas, eh? Will.I.Am never came up with a line like, "Just sittin' here chillin' in the Batcave/ Whilst listening to Nick Cave/ Last night was a sick rave". In fact, that lively sliver of channel-hopping doggerel pretty...

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My Summer Reading: Singer Pauline Black

Pauline Black, the lead singer of 2-Tone band The Selecter, was born in 1953 to an Anglo-Jewish mother and Nigerian father and was adopted as a baby by a white working-class couple from Essex, who refused to acknowledge she was black. However, by...

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CD: Razika – Program 91

Although sadness currently cloaks Norway, the release of Razika’s joyful debut album might raise a few spirits. From Bergen, this all-female four-piece are school friends jointly born in 1991, hence part of the album title. Program 91 is a ska-...

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Gilbert O’Sullivan: Out on His Own, BBC Four

Maybe the young Tom Waits got one or two sartorial ideas from our Gilbert?

While obviously not as seismic a Top of the Pops moment as Ziggy singing “Starman”, the almost contemporaneous appearance of the flat-capped Gilbert O’Sullivan hunched over his piano as if it were a dying coal fire certainly stuck in my memory as...

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Caro Emerald, Jazz Café

In a black dress, Caro Emerald is playing her UK debut. Behind her, an eight-piece band is squeezed onto the Jazz Café’s small stage. Snappy and pin sharp, they’re in black suits, white shirts and black ties. Except the guitarist, who’s jacket-free...

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CD: David Guetta - Nothing but the Beat

David Guetta's 'Nothing but the Beat': 'The lowest common denominator just got lower'

If you want the distilled sound of global hypercapitalism, David Guetta is your man. A genial, workaholic Frenchman, he has created the sound of superclubs from Miami to Dubai to Kuala Lumpur – the sort of clubs where the VIP section is bigger than...

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theartsdesk MOT: Dreamboats and Petticoats, Playhouse Theatre

It's one of the distinctions of the London theatre to be at once highbrow and middle-of-the-road, to offer up esoterica from Ibsen and Schiller while allowing audiences elsewhere the chance to rock out to the beloved pop icons of their choice. And...

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My Summer Reading: Writer Louise Wener

Lousie Wener during happy days in Britpop stars Sleeper

Louise Wener rose to prominence as part of the Britpop movement in the mid-Nineties. While Blur and Oasis flew the flag for laddism and Suede flirted with camp glam, Wener was one of the scene’s few high-profile women, inspired by David Bowie,...

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CD: Mara Carlyle - Floreat

It opens quietly, with swelling strings that evoke Mendelssohn's Fingal's Cave. After they give way to a jazzy percussion and wordless vocal interplay, Carlyle declares, “I used to sleep/ Too many secrets to keep”. Floreat itself was almost a secret...

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Anyone for Demis? How the World Invaded the Charts, BBC Four

"Anyone for Demis?" wasn’t the only question posed by this trawl through some of the foreign – not American - popular music that’s been hugged to our collective bosom. That the large, hirsute, kaftan-shrouded Greek wonder that’s Demis Roussos was...

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