sun 08/06/2025

piano

Hewitt, Concerto Budapest SO, Keller, Cadogan Hall review - magical Mozart and bullish Beethoven

Considering its status as the most famous piece of classical music [citation needed], Beethoven’s Fifth Symphony is actually quite rarely programmed in London. I can’t remember the last time I heard it live before last night, and it took the...

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Buchbinder, Gewandhausorkester Leipzig, Nelsons, Barbican / COE Soloists, St John's Smith Square review - European sophistication in spades

When in 2018 Andris Nelsons and his "new" Leipzig orchestra sealed an auspicious partnership with a locally significant but modestly scaled symphony, Mendelssohn’s “Scottish” (No. 3), they could not have foreseen two years ahead when the bigger...

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Classical CDs: Bounce, bluster and Blätter

 JS Bach: Magnificat, CPE Bach: Magnificat Gaechinger Cantorey/Hans-Christoph Rademann (Accentus Music)Coupling this pair of Magnificat settings on a single CD makes so much sense. JS Bach’s 1723 Magnificat is wonderfully served here, Hans-...

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Album: Plastikman & Chilly Gonzales - Consumed in Key

The three Canadians Richie Hawtin (Plastikman), Jason Beck (Chilly Gonzales) and Tiga Sontag (aka just Tiga, who exec produced this album) are each so laden with image and persona it is easy to forget they are musicians sometimes. Hawtin has since...

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Angela Hewitt, Wigmore Hall review - grand tour in a luxury vehicle

The four years of Angela Hewitt’s globe-trotting “Bach Odyssey” confirmed time and again that she brings a nonpareil artistry and authority to the most demanding, and rewarding, of all keyboard repertoires. Yet the Canadian pianist, as we already...

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Kolesnikov, Tsoy, LSO St Luke’s review - light, air and adventure from two pianos

After the turbulence of masterpieces over the previous three evenings – Janáček, Britten, and the greats featured in this duo’s Fidelio Café fundraiser for Ukraine – it was balm to feel the air and leisure of the first three miniatures in this...

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Bartlett, LPO, Mathieson, Congress Theatre, Eastbourne review – Rhymes, Rhapsody and Winter Daydreams

Who could have imagined the table-turning controversy that might have cast doubt on the inclusion of works by Rachmaninov and Tchaikovsky when planning this programme?Before raising the baton, Holly Mathieson expressed the hope that Russian music...

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Hough, BBC Philharmonic, Wellber, Bridgewater Hall, Manchester review - Beethoven for today

There was something extraordinarily powerful and moving about Saturday’s Beethoven commemoration concert by the BBC Philharmonic and its chief conductor, Omer Meir Wellber.Originally planned for 2020 but of course postponed, its second part...

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Cooper, Bournemouth SO, Wigglesworth, Lighthouse, Poole review – musical sunbursts

With reference to smiles beginning to emerge from behind our masks, Mark Wigglesworth, the Bournemouth Symphony Orchestra’s new Principal Guest Conductor, wrote the most hopeful and optimistic note of welcome in the programme for this concert...

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Rachlin, Oslo PO, Mäkelä, Oslo Konserthus/Perianes, LPO, Berman, RFH review - the best-laid plans…

The headline was never going to be snappy, but “Klaus Mäkelä conducts…” as a start would have pulled it all together. A trip to Oslo last week was not wasted: he did indeed take charge of one of his two main orchestras, in a typically offbeat...

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Colli, Bournemouth SO, Scaglione, Lighthouse, Poole review - drama and romance

The Drama and Romance of the Bournemouth Symphony Orchestra’s promotional hook for this concert signalled a heady musical mix. Appropriate for the stark contrasts of mood central to Wagner’s Tannhäuser Overture and Beethoven’s Piano Concerto No. 4,...

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Grosvenor, SCO, Emelyanychev / Osborne, RSNO, Usher Hall, Edinburgh review - two orchestras in pursuit of innovation

Two pianists; two concertos; two orchestras. It is not often that Edinburgh’s most venerable concert hall plays host, on consecutive nights, to two of our national orchestras offering strikingly similar programmes.While the Scottish Chamber...

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