piano
Prom 69: Hadland, Oslo Philharmonic Orchestra, PetrenkoWednesday, 04 September 2013
May I be permitted a rude, opinionated intermezzo between reflections on Vasily Petrenko’s two Oslo Philharmonic Proms, and before Marin Alsop steps up to great expectations for the Last Night? Here’s another Russian in trouble, not for keeping mum... Read more... |
Prom 33: Uchida, Bavarian Radio Symphony Orchestra, JansonsSaturday, 10 August 2013
Precious few musicians can instill such a sense of intimacy into their playing as to have us believing that the Royal Albert Hall is the Wigmore Hall and that their performance is for an audience of one and not six thousand. Mitsuko Uchida is... Read more... |
Prom 30: Bavouzet, BBC Philharmonic, NosedaTuesday, 06 August 2013
It was mostly Russian night at the Proms, and mostly music you could dance to, as a hand jiving Arena Prommer rather distractingly proved in the finale of Tchaikovsky’s Second Symphony. Even Prokofiev’s elephantine Second Piano Concerto was... Read more... |
Prom 26: Serkin, BBC Symphony Orchestra, KnussenFriday, 02 August 2013
You wait years for a live performance to test whether Tippett’s Second Symphony is a masterpiece, and then two come along within six months. Both are due to the missionary zeal of the BBC Symphony Orchestra management, determined to give an... Read more... |
Yevgeny Sudbin, Wigmore HallFriday, 19 July 2013
A second visit to hear this already great young Russian pianist in six months was meant for private pleasure only. Yet no-one in the Wigmore Hall audience last night, I’ll hazard a guess, will ever have heard Liszt playing like Sudbin’s in a first... Read more... |
Martha Argerich, Bridgewater Hall, ManchesterSaturday, 13 July 2013
It is nearly 50 years since Martha Argerich played in Manchester. She performed with the Hallé Orchestra and the conductor was Claudio Abbado, making his UK debut. That was in 1965 and a year later they repeated their double act. Thanks to the... Read more... |
Elisabeth Leonskaja, Queen Elizabeth HallThursday, 06 June 2013
On most of her London visits, Elisabeth Leonskaja has been an unassuming high priestess of the mysteries and depths in core sonatas by Beethoven, Chopin and Schubert. This time she applied her Russian-school style of orchestral pianism, tempered as... Read more... |
Berezovsky, Orchestre de la Suisse Romande, Järvi, Royal Festival HallSaturday, 25 May 2013
In 1980, an orchestra and conductor then hardly known in Britain came to the Royal Festival Hall. I went to hear Elisabeth Söderström in Strauss’s Four Last Songs; I left stunned by an unorthodox Sibelius Second Symphony and above all by one of the... Read more... |
Lubomyr Melnyk, Village UndergroundTuesday, 21 May 2013
Imagine the rising and falling piano cadences of Gershwin’s Rhapsody in Blue. Then plug the gaps between each note with any of those which may have been encountered on the path to the next. Once that’s done, ensure that the playing is constant with... Read more... |
Uchida, CBSO, Nelsons, Symphony Hall, BirminghamFriday, 03 May 2013
“Did he who made the Lamb make thee?” Blake asked the tiger. One might have asked the same question of Scriabin’s Poem of Ecstasy, with Mozart’s G major Piano Concerto, K.453, as the lamb, in this hyper-diverse Birmingham concert. The image of... Read more... |
Cooper, Budapest Festival Orchestra, Fischer, Royal Festival HallTuesday, 23 April 2013
Visiting orchestras and conductors often complain about agents’ insistence that they programme their main national dishes. The request is partly understandable: we all want to hear the Vienna Philharmonic in Mahler, the Czechs in Dvořák, the... Read more... |
Lamsma, BBCSO, Brabbins, Barbican Hall/ Mei Yi Foo, Kings PlaceSaturday, 20 April 2013
Brave old world, that has so much unheard music in it. Not exactly the words of Shakespeare’s Miranda, I know, but that’s how I feel having experienced great things in the concert hall for the first time recently: Tippett’s Second Symphony from... Read more... |
