mon 09/06/2025

Philharmonia

Classical CDs Weekly: Mahler, New Year's Day Concert, Bjarte Eike

 Mahler: Symphonies 1-3 Philharmonia Orchestra/Lorin Maazel (Signum)These are expansive, weighty performances, but they work. Mostly. Listening to this first instalment of Lorin Maazel's latest Mahler cycle is an occasionally frustrating...

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Philharmonia Orchestra, Salonen, Royal Festival Hall

“Lighting design”. Are there two more terrifying words to find in a concert booklet? Since I last went to a normal concert, it seems that the lunacy that is the tradition of bathing audience and stage in as much light as possible as if we were some...

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Verdi's Requiem, Philharmonia Orchestra, Gatti, Royal Festival Hall

It was clear that there was an Italian on the podium. Muted strings invoked an atmosphere so crepuscular that, when one involuntarily closed one’s eyes, the murmur of voices intoning the words “Requiem aeternam” seemed to come from deep inside the...

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Mørk, Philharmonia Orchestra, Salonen, Royal Festival Hall

Curious and curiouser. Lutosławski’s Cello Concerto, centrepiece of Esa-Pekka Salonen’s latest Philharmonia concert celebrating the Polish master’s centenary, adds ballast to the idea that the composer, like Schoenberg and Tippett, burrowed into a...

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Gabetta, Philharmonia Orchestra, Ashkenazy, Royal Festival Hall

Death comes in many guises but in this ingeniously devised Philharmonia concert he most definitely did not have the last laugh. That was for Shostakovich and a curiously ticking time bomb of percussion which first surfaced in his Fourth Symphony...

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Gerstein, Philharmonia Orchestra, Gardner, Royal Festival Hall

You don’t have to live under a totalitarian regime to write music of profound anguish. I was driven to argue the point at a Shostakovich symposium when an audience quizzer took issue with my assertion that Britten could go just as deep as the...

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Zimerman, Philharmonia, Salonen, Royal Festival Hall

The centenary bandwagon always passes some composers by: how many organisations in Britain will be celebrating George Lloyd or Tikhon Khrennikov? Other figures almost get steamrollered flat with attention; Britten, I’d say, is this year’s likely...

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Q&A Special: Memories of Lutosławski

While the history of 20th-century music is undoubtedly the history of the 20th century – from the decadent expressionism of fin-de-siècle Berlin to the imagined surrealist worlds of 1920s Paris – few composers lived or wrote the century quite as...

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Barbican and Southbank 2013-14 seasons: still neck and neck

With the cuts still to bite deep, it's enterprising business as usual for both of London’s biggest concert-hall complexes and their satellite orchestras in the newly announced season to come. I use the word "complex" carefully, because as from...

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The Merry Widow, Philharmonia Orchestra, Wilson, Royal Festival Hall

Lehár’s Merry Widow has been been spreading enchantment across the globe for well over a century. She’s the vintage champagne of operettas, and the prospect of John Wilson popping her cork was more than a little enticing. Wilson, one feels,...

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London Mela, Gunnersbury Park

The look for many young Asian guys in deepest west London appears to focus on how thin they can sculpt their goatees. Well-muscled, chiselled even, sporting either a bowl-crop or one of those spiky, gelled, junior estate agent haircuts, and clad in...

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The Yeomen of the Guard, Philharmonia Orchestra, Wilson, Royal Festival Hall

Looking at John Wilson conduct, it’s possible to think that you’re watching an incarnation of that Proms favourite of decades past, Sir Malcolm Sargent. The immaculate tailcoat, shining white cuffs, the florid gestures with a baton as long as a...

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