new writing
Leopoldstadt, Wyndham's Theatre review - Stoppard at once personal and accessibleFriday, 14 February 2020
It’s not uncommon for playwrights to begin their careers by writing what they know, to co-opt a frequently quoted precept about authorial inspiration. So it’s among the many fascinations of Leopoldstadt that Tom Stoppard, at the age of 82, should... Read more... |
Collapsible, Bush Theatre review - a high-wire solo engagementTuesday, 11 February 2020
There’s such remarkable symbiosis between material and performance in Irish dramatist Margaret Perry’s Collapsible that you wonder how the hour-long monologue will fare in any future incarnation. I don’t know how much Perry had the performer... Read more... |
The Haystack, Hampstead Theatre review - a chilling surveillance state thrillerFriday, 07 February 2020
With counter-terrorism an urgent concern – and specifically how best to find, track and use the data of suspected threats, without sacrificing our privacy and civil liberties – it’s excellent timing for a meaty drama about the surveillance state.... Read more... |
Faustus: That Damned Woman, Lyric Hammersmith review - gender swap yields muddled resultsWednesday, 29 January 2020
Changing the gender of the title character “highlights the way in which women still operate in a world designed by and for men,” argues Chris Bush, whose reimagining of Marlowe’s play premieres at the Lyric ahead of a UK tour. It’s certainly a... Read more... |
The Sunset Limited, Boulevard Theatre review - all talk, no theatreFriday, 24 January 2020
Cormac McCarthy’s two-hander, premiered at Chicago's mighty Steppenwolf Theatre in 2006, has by this point been everything short of an ice ballet: a self-described “novel in dramatic form”, as one might expect from the American author of such titles... Read more... |
You Stupid Darkness!, Southwark Playhouse review - an intriguing muddleTuesday, 21 January 2020
Armageddon would appear to be at the gates in Sam Steiner’s intriguing if ramshackle play, a co-production between Paines Plough and Theatre Royal, Plymouth, that has reached London while still seeming a draft or so away from achieving its full... Read more... |
Scrounger, Finborough Theatre review - uncomfortable play tackles disability discriminationTuesday, 14 January 2020
Scrounger is no comfortable evening in the theatre, for reasons both intentional and inadvertent. Athena Stevens’ new play recounts her 2016 battle with British Airways and London City Airport, who subjected her to the humiliation of being... Read more... |
The Tyler Sisters, Hampstead Theatre Downstairs review – raucous celebration of sisterhoodWednesday, 08 January 2020
The Tyler sisters start as they mean to go on: bickering. Middle sister Gail (Bryony Hannah) has come home from uni to find that youngest Katrina (Angela Griffin) has stolen her room. “What about Maddy’s? Why didn’t you take that?” Gail snaps. “She... Read more... |
Fairview, Young Vic review - questioning the assumptions of raceMonday, 09 December 2019
Jackie Sibblies Drury’s Fairview comes to the Young Vic with the 2019 Pulitzer Prize for Drama under its belt, and a reputation for putting audiences on their mettle through a build-up of theatrical surprises that culminate in a denouement about... Read more... |
Ho Sok Fong: Lake Like A Mirror review - an intoxicating collectionSunday, 01 December 2019
“Truth was further from safety than two islands at opposite ends of the earth,” proclaims the narrator of ‘Lake Like A Mirror’, the titular short story in Ho Sok Fong’s intoxicating new collection. When a young Chinese Malaysian literature tutor... Read more... |
My Brilliant Friend, National Theatre review - sleek spectacle almost eats its charactersWednesday, 27 November 2019
It took no time for Elena Ferrante's two Neapolitan friends to join the ranks of great literary creations: Lenù as successful writer-narrator, critical of her past ambivalence; Lila the unknowable fascinator, her brilliance often diverted into... Read more... |
Irenosen Okojie: Nudibranch review - daring and surrealSunday, 10 November 2019
Visceral, gaudy, alien, otherworldly to the point of being almost improbably imaginative, the nudibranch serves as an appropriate figure for Nigerian-British writer Irenosen Okojie’s muscularly surrealist prose. Look up a picture of one if you haven... Read more... |
