sun 13/07/2025

musicals

The Lorax, Old Vic Theatre review - a sage tale for young theatre goers

With mentions of Theresa May, cricket jumpers and DMs, Trump slurs and a host of characters with Northern accents, The Old Vic's return version of Dr Seuss' The Lorax, proves itself to be poles apart from the recent, popular Universal Pictures movie...

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Young Frankenstein review - Mel Brooks musical is blissfully bonkers

What a difference an ocean and a change of scale can make. When I saw the Mel Brooks musical Young Frankenstein on Broadway a decade ago, the show seemed to take its cue from the lumbering monster contained within it, who stutters and sputters...

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Follies, National Theatre review - Imelda Staunton equal first in stunning company

Of Sondheim’s half-dozen masterpieces, Follies is the one which sets the bar impossibly high, both for its four principals and in its typically unorthodox dramatic structure. The one-hit showstoppers from within a glittering ensemble come thick and...

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Proms 34 & 35 review: Oklahoma!, John Wilson Orchestra - music triumphs, words and drama suffer

Only one thing could equal the "wow!" factor of seeing and hearing a youngish Hugh Jackman launch into “Oh, What a Beautiful Mornin’“ at the start of the National Theatre’s 1998 staging of Oklahoma!: John Wilson and his orchestra trilling and...

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The Secret Diary of Adrian Mole Aged 13 ¾, Menier Chocolate Factory review – more than feel-good summer fun

Back in Margaret Thatcher’s middle England, teenagers got by somehow. Without recourse to wands or Ballardian games of extinction, we survived adolescence with the help of a story full of people we knew. People (a bit) like us. Every year I re-read...

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Committee review - we're all on trial in new Kids Company musical

A memorable 2015 parliamentary select committee hearing asked Kids Company CEO Camila Batmanghelidjh and chair of trustees Alan Yentob whether the organisation was ever fit for purpose. Tom Deering, Hadley Fraser and Josie Rourke’s new verbatim...

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10 Questions for actress Tracy-Ann Oberman: 'it's made me pretty fearless'

What do you call a woman who murdered Dirty Den, is the darling of TV comedy producers, writes radio plays about the golden age of Hollywood, hosted and judged Channel 4’s Jewish Mum of the Year, was until just a few weeks ago tap dancing through...

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The Wind in the Willows, London Palladium review - an effortful slog

An enormous amount rides on a musical's opening number. Without explicitly expressing it, a good opener sets tone, mood and style. Take The Lion King, where "Circle of Life" so thrillingly unites music, design and direction that nothing that follows...

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Baby Driver review - thrill-ride runs out of road

Baby drives like a deranged bullet. Edgar Wright’s “diegetic action-musical” choreographs the bank-heist getaways of angel-faced Baby (Ansel Elgort) as physically exhilarating pure cinema, a rush that’s rare. It’s also pure, adrenalin-pumping rock’n...

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10 Questions for George Stiles and Anthony Drewe: 'we are optimistic people'

George Stiles and Anthony Drewe – Stiles and Drewe, as the songwriting partnership is universally known – are responsible for one of theatre’s most memorable acceptance speeches. Their show Honk!, staged at the National Theatre after an initial run...

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Bat Out of Hell, Coliseum review - Jim Steinman's rockin' dystopia hits the stage

Opera-lovers coming to St Martin's Lane may feel confused to be confronted by an unrecognisable Coliseum, which now has huge girder-like structures adorning the stage and ceiling and a rather ugly skyscraper looming out of the wings, called Falco...

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h.Club 100 Awards: Hope Mill Theatre, Manchester

The Hope Mill Theatre in Manchester is an irresistible example of the can-do spirit. Less than two years ago the ground floor of a disused mill was being advertised on Gumtree as a storage space. Two actors who had been working as waiters – William...

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