musicals
Prom 57, On the Town, LSO, Wilson review - symphonic dances and sassy vocalsSunday, 26 August 2018
1944 was one hell of a year for Bernstein the composer, with a perfect ballet and a near-perfect musical sharing a general theme of three sailors loose in New York, but nothing else, in their boisterous originality. Perhaps their only equal among... Read more... |
Prom 39, West Side Story, Wilson review - best heard on the radioMonday, 13 August 2018
In West Side Story, those great, familiar songs just keep on coming. Already by the end of the first half an hour, there have been “The Jet Song”, “Something’s Coming”, “Maria”, “Tonight” and “America”, and there is no shortage of them still to come... Read more... |
Little Shop of Horrors, Regent's Park Open Air Theatre review - monstrously entertainingSaturday, 11 August 2018
The resplendent partnership of Alan Menken and Howard Ashman – which produced Disney hits Aladdin, Beauty and the Beast and The Little Mermaid – first took root with this 1982 Off-Broadway musical, based on a low-budget Sixties film, about a... Read more... |
Spamilton, Menier Chocolate Factory review - fun if overstuffedThursday, 26 July 2018
If it's possible to have somewhat too much of a good thing, that would seem to be the case with the British premiere at the Menier Chocolate Factory of Spamilton. The latest in the indefatigable catalogue of New York songwriter-satirist Gerard... Read more... |
Mamma Mia! Here We Go Again review - sweet, silly, and, best of all, CherFriday, 20 July 2018
Mamma Mia! has a habit of bursting upon us at crucially restorative moments. The Broadway production opened just after 9/11 and provided necessary balm to a city in shock. Now comes the celluloid prequel of sorts and, lo and behold, what could have... Read more... |
The King and I, London Palladium review - classic musical reborn with modern sensibilitiesWednesday, 04 July 2018
Shall we dodge? (One, two, three) No, the brilliance of Bartlett Sher’s Tony-winning Lincoln Center revival – first on Broadway in 2015, now gracing the West End, with its original leads – is that it faces the problematic elements of Rodgers... Read more... |
Fun Home, Young Vic review - a simply sublime musical memoirThursday, 28 June 2018
It seems only too fitting that David Lan’s luminous reign at the Young Vic should draw to a close with this bold, creatively thrilling international import. Jeanine Tesori and Lisa Kron’s Tony-winning musical, which premiered Off-Broadway in 2013,... Read more... |
Kiss Me, Kate, Opera North, London Coliseum review - Cole Porter delivered in true company styleThursday, 21 June 2018
First palpable hit of the evening: a full orchestra in the pit under hyper-alert Opera North stalwart James Holmes, saxophones deliciously rampant. Second hit: they've got the miking of the voices right (very rare in West End shows). Third: the... Read more... |
Problem in Brighton, Brighton Festival review - comic but patchy rock showFriday, 11 May 2018
Problem is Brighton is down in the Festival programme as an “alt-rock/pop pantomime”, with actors involved and the inference it’s some sort of musical featuring “instruments specially created by David Shrigley for the performance”. This turns out to... Read more... |
Strictly Ballroom: The Musical, Piccadilly Theatre review - largely naffWednesday, 25 April 2018
A much tinkered-with show needs to go back to the drawing board, if this latest iteration of Strictly Ballroom: The Musical is any gauge. Having travelled across Sydney, Leeds, and Toronto on its extensively revised way to the West End, director-... Read more... |
Bat Out of Hell, Dominion Theatre review - the Meat Loaf musical returns, batty as everFriday, 20 April 2018
Back by feverishly popular demand, Jim Steinman’s mega-musical is no longer in danger of alarming unsuspecting opera-goers. A year on from its Coliseum debut, this indisputably bonkers show moves to the West End venue it was surely always destined... Read more... |
Tina, Aldwych Theatre review - new Tina Turner bio-musical is simply OKWednesday, 18 April 2018
It is, perhaps, a tale that suffers from overfamiliarity. Tina Turner’s rags-to-riches story – from humble beginnings as little Anna Mae Bullock in Nutbush, Tennessee, to her discovery, reinvention and sickening abuse by husband and manager Ike... Read more... |
