musicals
The Best Musicals in LondonWednesday, 20 November 2019![]() Aladdin, Prince Edward Theatre ★★★ Disney's latest blockbuster film-turned-stage show remains airborne – justCome From Away, Phoenix Theatre ★★★★ 9/11-themed musical crosses the Atlantic, capacious heart intactDear Evan Hansen, Noël... Read more... |
Dear Evan Hansen, Noël Coward Theatre review - this social outcast will steal your heartWednesday, 20 November 2019![]() Steven Levenson, Benj Pasek and Justin Paul’s Tony and Grammy Award-winning musical Dear Evan Hansen is an institution in the States, running on Broadway since 2016 and currently on its second year of a national tour. It also made a star... Read more... |
Mary Poppins, Prince Edward Theatre review - a lavish but old-fashioned revivalThursday, 14 November 2019![]() It’s been 15 years since Cameron Mackintosh’s stage musical version of P. L. Travers’ Mary Poppins made its West End debut. Now, the magical nanny returns to the Prince Edward Theatre, with Zizi Strallen (who also headlined the UK tour) succeeding... Read more... |
Ghost Quartet, Boulevard Theatre review - a beguiling journey into the beyondFriday, 01 November 2019![]() London’s latest new theatre opens with an appropriately otherworldly Halloween offering: American composer Dave Malloy’s teeming 2014 song cycle, which played at the Edinburgh Festival in 2016. It’s a superb piece for demonstrating the benefits of... Read more... |
Assassins, Watermill Theatre, Newbury, review - Sondheim musical in scalding formThursday, 10 October 2019![]() “Every now and then the country goes a little wrong”: so goes one of the many lyrics from the Stephen Sondheim-John Weidman musical Assassins that makes this 1990 Off Broadway musical (subsequently chosen to open Sam Mendes’ Donmar Warehouse in 1992... Read more... |
The Silver Lake, English Touring Opera review - shadows of the Weimar twilightMonday, 07 October 2019![]() Almost exactly a century after the Weimar Republic’s constitution took effect, English Touring Opera presents a show whose birth coincided with the Republic's untimely death. His third collaboration with the prolific, maverick playwright Georg... Read more... |
CD: Mika - My Name is Michael HolbrookFriday, 04 October 2019![]() When he arrived on the scene in the mid Noughties Mika – yes his name is Michael Holbrook – flew the flag for grandiose pop classicism. He had The Feeling as fellow travellers, and to an extent The Killers in their first wave of... Read more... |
Old Stock: A Refugee Love Story, Wilton's Music Hall review - klezmer revue is moving and inventiveFriday, 20 September 2019![]() Canadian playwright Hannah Moscovitch’s “refugee musical” – now there’s a phrase you don’t expect to write – is a treat. Harking back to the early 20th century pogroms of Eastern Europe, it’s darkly steeped in history, conveying the sorrows of... Read more... |
Big the Musical, Dominion Theatre review - sweet if wildly overstretchedWednesday, 18 September 2019![]() The work isn't finished on Big, if this stage musical of the beloved 1988 Tom Hanks film is ever to, um, make it big. A Broadway flop in 1996 where it was among the last shows directed by the late, much-admired Englishman Mike Ockrent, the material... Read more... |
CD: Renée Zellweger - JudyWednesday, 18 September 2019![]() Renée Zellweger already has strong musical cinema form, Her role as Roxie Hart in Chicago garnered her second Oscar nomination. However, playing and singing Judy Garland is a whole different ball game. The film Judy takes a late-Sixties run of... Read more... |
Preludes, Southwark Playhouse review - journeying into the mind of RachmaninoffThursday, 12 September 2019![]() Where does music come from? That’s the vital question posed to Sergei Rachmaninoff in Dave Malloy’s extraordinary 2015 chamber work, as the great late-Romantic Russian composer – stuck in his third year of harrowing writer’s block – tries to... Read more... |
Falsettos, The Other Palace review - affecting search for the new normalFriday, 06 September 2019![]() William Finn and James Lapine’s musical – which combines two linked one-acts, March of the Falsettos and Falsettoland, set in late 1970s/early 1980s New York – picked up Tony Awards in 1992 for its book and score, and was nominated again in... Read more... |
