tue 08/07/2025

mental health

Hush/ Awakenings/ Cardoon Club, Rambert Dance, Sadler's Wells

Estela Merlos in Henrietta Horn's 'Cardoon Club'

“Nice is different from good,” sings one of Stephen Sondheim’s characters. And mostly, it is different, “nice” rarely being “good”. Christopher Bruce, however, blows that theory right out of the water, because Hush, his 2006 piece which opens...

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Hamlet, National Theatre

The National Theatre’s new production of Hamlet is both a very good Hamlet, yet also a somehow disappointing one. For a work so rich in possibilities, with so much emotion, so much superb and intricate engineering, it is often like this, in England...

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The Art of Touch/ Awakenings/ Cardoon Club, Rambert Dance, Wycombe Swan

Henrietta Horn's Cardoon Club: As moreish as a hideously mixed Tequila Sunrise

The Blitz may be about to descend on dance in theatres, but Rambert have the authentic British grit under fire. They truck on into a bleak autumn with the courage to present to the straitened nation a new commission of music and dance, and a new...

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The Aliens, Bush Theatre

You can see the appeal of being a slacker. You don’t work, you just sit around like a cool dude and shoot the breeze; you smoke, you drink, you take drugs, er, lots of drugs. You can call people “man”. Hell, you don’t even need to wear your sneakers...

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Bedlam, Shakespeare's Globe

Country girl May (Rose Leslie) is feasted upon by blood-sucking leeches in 18th-century Bedlam

Nell Leyshon’s new play takes place in a mental asylum closely based on London’s notorious Bethlem Hospital. Set in the 18th century, it is a bizarre fusion of farce, drama and drinking songs. Bethlem, of course, gave its name to the term “bedlam”,...

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Edinburgh Fringe: Daniel Kitson/ Leisa Rea/ Misconception

Daniel Kitson only occasionally performs at comedy venues at the Fringe these days - perhaps a late-night spot here and there, though not a full set - but it has become almost a tradition that he writes a new piece for the Traverse each year. On the...

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Greenberg

Anyone who saw Ben Stiller in Zoolander will know that he is a very fine actor. He made his over-the-top character both believable and lovable (well, up to a point on the latter, but you know what I mean) while playing the fashion model’s...

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The Killer Inside Me

We’ll never feel the real impact - an all too apposite word - of the violence in Michael Winterbottom’s The Killer Inside Me, given that it has dominated pre-release publicity for the film. The suspense of waiting for it will surely distract viewers...

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Sectioned, BBC Two

“Are you looking forward to Christmas?” was always going to be a difficult question. Anthony looked forward to spending it with his daughter and grandchild – as long as he kept taking the medication that allowed him to stay out of hospital. Andrew...

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The Lion's Face, Opera Group

'A frighteningly convincing portrait': Dave Hill as Alzheimers sufferer Mr D, with Rachel Hynes

An opera about Alzheimer’s disease might seem an idea calculated to send the most community-minded audience rapidly to the nearest exit. Yet there's a longish history of theatre – musical and otherwise – about loss of memory and the failure of...

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Mental: A History of the Madhouse, BBC Four

Most people’s experience of the 120 or so Victorian asylums that littered the UK landscape for more than a century is, thankfully, oohing and aahing over the “sophisticated and sensitive” conversions they have become, providing “astonishing, unusual...

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Les 7 Doigts, Peacock Theatre/ Cie Deborah Colker, touring

As we look on the strictly dieting future that undoubtedly waits for the more esoteric arts after Thursday’s election, it’s evident that the dance landscape has already been blighted - and self-blighted, at that. Somewhere in the past few years a...

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