Mahler
Royal Concertgebouw Orchestra, Gatti, BarbicanTuesday, 20 December 2016
Time was when the principal conductor of a top orchestra could afford to refine mastery of a small and familiar repertoire, covering a century and a half of music at most. The rest he (always he) would leave to loyal or youthful lieutenants. The... Read more... |
theartsdesk in Budapest: Prophecy in the world's best concert hallSaturday, 10 December 2016
August 1914, September 2001, all of 2016: these are the dates Hungary's late, great writer Péter Esterházy served up for the non-linear narrative of his friend Péter Eötvös's Halleluja - Oratorium Balbulum. Its Hungarian premiere in one of the world... Read more... |
CBSO, Gražinytė-Tyla, Symphony Hall BirminghamThursday, 17 November 2016
Is there anything on a concert programme more guaranteed to make the heart lift – or to prove that a conductor has their musical priorities straight – than a Haydn symphony? If you're tired of Haydn, you're tired of life: there’s no music more... Read more... |
Sampson, BBCSSO, Runnicles, Usher Hall, EdinburghMonday, 07 November 2016
Mahler said of the last movement of his Fourth Symphony that it should be pure, like the “undifferentiated blue of the sky”. Writing the symphony in his lakeside retreat at Maiernigg in the summer of 1900, he probably had a different sort of blue in... Read more... |
Sunday Book: Haruki Murakami - Absolutely on MusicSunday, 30 October 2016
Every fan of his fiction knows that Haruki Murakami loves jazz and lets the music play throughout his books. Yet in this 320-page dialogue between the novelist and his equally eminent compatriot, conductor Seiji Ozawa, it’s the veteran maestro of... Read more... |
Smith, Wyn-Rogers, Philharmonia, Pons, RFHMonday, 17 October 2016
The Philharmonia’s Sunday concert wasn’t quite the event they’d planned. Christoph von Dohnányi scored a hit last season with Schubert's Ninth Symphony, so his reading of the Eighth seemed an ideal way to begin. But Dohnányi withdrew early on,... Read more... |
Classical CDs Weekly: Batzner, Floyd, MahlerSaturday, 15 October 2016
Jay C. Batzner: as if to each other… R. Andrew Lee (piano) (Irritable Hedgehog)Like the Charlemagne Palestine disc reviewed a few weeks ago, this release won’t be to all tastes. But give as if to each other… sufficient time and it will get under... Read more... |
Prom 64: Berlin Philharmonic, RattleSaturday, 03 September 2016
What do Boulez's Éclat, for 15 instruments, and Mahler's Seventh Symphony, for over 100, have in common? Most obviously, guitar and mandolin, symbols of a wider interest in unusual sonorities. But while Boulez aims, as often, for needle point... Read more... |
Prom 39: Johnston, BBCSO, OramoMonday, 15 August 2016
The mid-way point of the BBC Proms has just passed. Attention during the eight-week season will inevitably tend to gravitate towards the novelties, “events” and one-offs, but one pre-condition for the summer to be going well is that the Proms'... Read more... |
Prom 18: Mahler's Third Symphony, LSO, HaitinkSaturday, 30 July 2016
Few 87-year-olds would have the stamina to conduct over 100 minutes of Mahler. Bernard Haitink, though, has always kept a steady, unruffled hand on the interpretative tiller, and if his way with the longest of all the symphonies, the Third, hasn't... Read more... |
theartsdesk in Reykjavík: Nocturnes for MidsummerSunday, 26 June 2016
After a grey start, there was a spectacular sunset around midnight on the second of my two days in Reykjavik. It's what brings one of Iceland's most brilliant younger-generation talents, pianist Víkingur Ólafsson (and yes, he's worked with Björk),... Read more... |
Classical CDs Weekly: Aukai, Mahler, ShostakovichSaturday, 25 June 2016
Aukai Markus Seiber (Aukai Music)In a week where there’s been rather too much news to get one’s head round, a spot of ambient calm is very appealing. Aukai is the pseudonym of German guitarist and ‘soundscape artist’ Markus Seiber, and this debut... Read more... |
