Mahler
Prom 4: World Orchestra for Peace, GergievMonday, 21 July 2014
This was a rare outing by the World Orchestra for Peace, which has performed fewer than 20 concerts since the death of its founder Sir Georg Solti in 1997. UNESCO had designated this BBC Prom as "The 2014 Concert for Peace", the definite article... Read more... |
Classical CDs Weekly: Hartmann, Mahler, Vaughan WilliamsFriday, 18 July 2014
Hartmann – Symphonies 1-8 Netherlands Radio Philharmonic Orchestra, Netherlands Radio Chamber Philharmonic, cond Markus Stenz, James Gaffigan, Michael Schønwandt, Christoph Poppen, Osmo Vänska, Ingo Metzmacher (Challenge Classics)The... Read more... |
theartsdesk Q&A: Conductor Robin TicciatiSaturday, 10 May 2014
Poised when I met him six weeks ago between 40th anniversary celebrations of the Scottish Chamber Orchestra, of which he has been a shaping chief conductor for the past five years and putting his new music directorship of Glyndebourne... Read more... |
Classical CDs Weekly: Arensky, Mahler, Sonic PhilosophySaturday, 26 April 2014
Arensky: Piano Trios Leonore Piano Trio (Hyperion)Lesser-known composers are often defined in relation to their better-known contemporaries. Anton Arensky (1861-1906) tends to be associated with his friend and mentor Tchaikovsky. Arensky... Read more... |
Classical CDs Weekly: Prokofiev, Schubert, ZemlinskySaturday, 22 March 2014
Prokofiev: Piano Concertos 1-5 Jean-Efflam Bavouzet, BBC Philharmonic/Gianandrea Noseda (Chandos)Two of Prokofiev's five piano concertos are so well-embedded in the repertoire that they tend to dwarf the other three. So it's great to have the... Read more... |
Classical CDs Weekly: Mahler, New Year's Day Concert, Bjarte EikeSaturday, 08 February 2014
Mahler: Symphonies 1-3 Philharmonia Orchestra/Lorin Maazel (Signum)These are expansive, weighty performances, but they work. Mostly. Listening to this first instalment of Lorin Maazel's latest Mahler cycle is an occasionally frustrating... Read more... |
Addio, Claudio AbbadoMonday, 20 January 2014
“It is at the end that a composer can achieve his finest effects,“ declared Richard Strauss. He was thinking of his great operatic and symphonic epilogues, but apply that to the art of conducting, adjust the “at” to “towards”, and it applies... Read more... |
Power, London Philharmonic Orchestra, Jurowski, Royal Festival HallThursday, 16 January 2014
Baleful prophecies were rife before the concert. Was Vladimir Jurowski right to let Mahler’s only total tragedy among his symphonies, the Sixth, share the programme with anything else, least of all a new viola concerto in which the solo instrument’s... Read more... |
National Youth Orchestra of Great Britain, Daniel, Leeds Town HallSunday, 05 January 2014
Middle-period Mahler can be hair-raising enough under normal circumstances. In this performance of the Fifth Symphony, the angst and intensity dials had been turned up to 11. Every orchestral colour shone with greater intensity, and each change in... Read more... |
Mustonen, Nakariakov, BBCSO, Oramo, BarbicanSunday, 03 November 2013
This was Sakari Oramo's first concert with the BBC Symphony Orchestra since taking over as chief conductor. Of course he knows the orchestra well already, but it was important to make this a good ’un, and so it was.It opened with the world premiere... Read more... |
Kraggerud, Stuttgart Radio Symphony Orchestra, Denève, Leeds Town HallSunday, 20 October 2013
I’d not previously identified much comedic potential in Mahler’s gargantuan Sixth Symphony, a piece which would feature prominently in many people’s lists of most depressing works. Which presumably explains why this astonishing concert wasn’t a sell... Read more... |
Prom 35: Mahler's 'Resurrection' Symphony, Jansons/Prom 36: Bach Oratorios, GardinerSaturday, 10 August 2013
Mahler, who like most of us thought Bach was “the greatest of them all” and studied in depth the edition of his complete works, would have been delighted by last night’s extravaganza – a true celebration of what makes the Proms the much quoted “... Read more... |
