tue 08/07/2025

LSO

London Symphony Orchestra, Tilson Thomas, Barbican Hall

Right, notebooks out everyone. Michael Tilson Thomas began this Berg/Mahler double-header with a lengthy analysis of what we were about to hear in the former’s Chamber Concerto. Whether it was informative or not (and it was), it was a bit of a...

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Classical CDs Weekly: Bach, Debussy, Rachmaninov, Stravinsky

 Bach: The Well-Tempered Clavier Book 2 Peter Hill (piano) (Delphian)Book 2 of Bach’s Well-Tempered Clavier doesn’t often appear without Book 1. It’s sometimes unfairly perceived as drier, more academic than its predecessor. Bach’s didactic aim...

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Tetzlaff, London Symphony Orchestra, Eötvös, Barbican Hall

“I don’t want to be a Cyclops,” Pierre Boulez said in 2010, faced with the prospect of conducting a Chicago concert with only one working eye. Eye troubles, alas, have continued to bedevil the octogenarian giant of contemporary music, which is why...

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Q&A Special: Arts Patron Donatella Flick

Donatella Flick, one of Britain's most important arts patrons, is furious. "Madness!" she cries in her lush Italian voice. "This is a country that was fantastic, and now there's a demolition going on, bit by bit!" We're sitting in Sir Winston...

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theartsdesk Q&A: Arts Patron Jonathan Moulds

Critical, urgent, hard - those are the three words used about the challenge to get the rich to pay more for the arts by the new man at the tiller. He should know. Jonathan Moulds, European President at Bank of America Merrill Lynch, is one of the...

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Mutter, London Symphony Orchestra, Previn, Barbican Hall

It’s over 30 years since André Previn left his post as principal conductor of the London Symphony Orchestra. But once you’re part of the LSO’s treasured ‘family of artists’, the orchestra never lets go, year upon year inviting you back for Christmas...

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Spence, London Symphony Orchestra, Adès, Barbican Hall

Last Tuesday night saw the London Symphony Orchestra celebrating 20th century English music under the baton of Antonio Pappano, launching proceedings with a stylish (and more than a little sexy) rendition of the dance suite from Thomas Adès’ Powder...

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London Symphony Orchestra, Gardiner, Barbican Hall

Just a few weeks ago, John Eliot Gardiner and his Orchestre Révolutionnaire et Romantique delivered what was unquestionably one of the year’s finest concerts – performing Beethoven’s Fourth and Seventh Symphonies with more wit, swagger and verve...

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Mutter, London Symphony Orchestra, Gergiev, Barbican Hall

Praise be, or slava if you prefer, to Valery Gergiev for honouring new Russian music alongside his hallmark interpretations - ever evolving or dangerously volatile according to taste – of Prokofiev, Shostakovich and Stravinsky. Last LSO season...

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Davies, London Symphony Orchestra, Zhang, Barbican Hall

Highly finished literary tales of doomed nixies, like Hans Christian Andersen's The Little Mermaid, seem to have prompted reams of bad art but plenty of mellifluous music. Not even all of that is on the same level. Viennese late-Romantic Zemlinsky's...

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Jeanne d'Arc au Bûcher, London Symphony Orchestra, Alsop, Barbican Hall

Honegger's gaudy 1935 meditation on the life of Joan of Arc - which we witnessed in concert last night at the Barbican - is an untidy flea market of meretricious musical ideas. The work's only value lies in it being able to make one understand why...

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The music man who kept them dogies rollin'

On Thursday the London Symphony Orchestra plays a night of epic movie music by the man who gave America’s cowboy heroes their most stirring tunes. Dimitri Tiomkin was one of Hollywood’s film-score giants, John Wayne’s choice as composer for The...

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