sat 12/07/2025

London

Liaison, Apple TV+ review - tangly Franglais thriller presses some hot buttons

Vive l’entente cordiale! “Despite Brexit” (as the BBC likes to say), Apple TV+ has successfully bridged the Channel to create this lurid Anglo-French thriller, in which Euro-skulduggery rubs shoulders with bribery, corruption and high treason.At...

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What's Love Got to Do With It? review - Jemima Khan's feelgood romcom

Here's a question. A romcom stars a man and woman, friends from childhood, both straight and with no romantic history. He's a Muslim and has decided to pursue an arranged marriage; she has a chaotic love life. What are the odds that they will end up...

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Grenfell: System Failure, Playground Theatre review - if this doesn't make you angry, nothing will

It’s been five years since 72 people died in the Grenfell Tower fire in West London. Five years and no arrests, as countless placards and posters around the neighbourhood point out.The Grenfell Tower Inquiry into how the tragedy occurred – why it...

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Sylvia, Old Vic review - great leads, rambling story

For many years, I would ask groups of students to vote in elections because “it’s important to honour those who gave up so much to ensure that the likes of us can”. Some would nod, others would shrug, a few might have inwardly scoffed – too...

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Graceland, Royal Court review - quiet desolation is too literary

Is new writing becoming increasingly literary? Recently, some of the language being used by younger playwrights seems to me to be becoming too subtle, something to be savoured on the page rather than strongly felt in live performance. Certainly,...

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Peter Doig, Courtauld Gallery review - the good, the bad and the unfinished

I once gave Peter Doig a tutorial, when he was a student at Chelsea College of Art. He had little to say about his strange images and I came away feeling I’d seen something unique, but was unable to tell if he was a very good painter or a very bad...

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The Gold, BBC One review - gripping dramatisation of the 1983 Brink's-Mat bullion robbery

The raid on the Brink’s-Mat warehouse at Heathrow in November 1983 has entered the folklore of British crime and criminology. The gang of six armed robbers had expected to find £3m in cash, but instead got away with £26m worth of gold bullion. The...

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Phaedra, National Theatre review - stunning acting in stunning show

How can old texts speak to us now? The point is not just to adapt classics, but to reimagine them – and that’s exactly what hotshot Australian director Simon Stone does. Having brilliantly staged Lorca’s Yerma with Billie Piper, he now turns his...

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Magic Mike's Last Dance review - ludicrous and radical gyrations

Magic Mike began as a cautionary tale rooted in Channing Tatum’s spell as a teenage stripper, then morphed into a franchise of reality and theatre shows. Now this second sequel brings original director Steven Soderbergh back, and leaps into pure...

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Smoke, Southwark Playhouse review - dazzling Strindberg update

A play’s title can be an almost arbitrary matter – there’s no streetcar but plenty of desire in that one for example – and it might have crossed Kim Davies’ mind to call her play Ms Julie, since it is a reimagining of August Strindberg’s...

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Titus Andronicus, Sam Wanamaker Playhouse review - notorious play hits and misses

If All's Well That Ends Well, Measure for Measure and Troilus and Cressida have earned the sobriquet "‘problem plays", what price Titus Andronicus? Does a director seek out a Saw vibe for the horror? Do they go for a deadpan Spinal Tap’s...

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Lemons Lemons Lemons Lemons Lemons, Harold Pinter Theatre review - cool cast chills the drama

Culture which arrives from the margins to the mainstream is a classic phenomenon. In the case of Sam Steiner’s Lemons Lemons Lemons Lemons Lemons it has taken almost a decade for this two-hander to make the journey from a student production at...

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