London Coliseum
Nutcracker, English National Ballet, London ColiseumThursday, 12 December 2013
This production of Nutcracker, the 10th in English National Ballet's 60-year history, has come in for some stick in the three years since its première. Wayne Eagling, the company’s then director, produced the choreography in rather... Read more... |
The Magic Flute, English National OperaFriday, 08 November 2013
There’s a scene in Mozart’s most metaphysical opera which Ingmar Bergman, creator of what is still the richest of all Magic Flutes, describes as “at the outermost limit of life”. Hero Tamino seems to have reached a point of no return and no going... Read more... |
Madam Butterfly, English National OperaTuesday, 15 October 2013
When the going gets tough, wheel out a crowd-pleaser. Even by its own volatile standards English National Opera has had a poor start to its autumn season, with productions of Fidelio and Die Fledermaus that seem destined to join the company’s ever-... Read more... |
Die Fledermaus, English National OperaTuesday, 01 October 2013
Rich, racy, randy and irreverent: such were the R words gathered up by a Canadian critic to capture the essence of Christopher Alden’s production of Johann Strauss’s cork-popping operetta when it premiered in Toronto last year. Other R words, alas,... Read more... |
Jane Eyre, Shanghai Ballet, London ColiseumThursday, 15 August 2013
For their first visit to the UK, Shanghai Ballet have brought a narrative ballet based on a Chinese theatrical version of Jane Eyre. It focuses on Bertha Mason, Mr Rochester’s mad wife in the attic, whose fate has often troubled readers, though the... Read more... |
Carlos Acosta, Classical Selection, London ColiseumWednesday, 31 July 2013
The mighty adorable Carlos Acosta is at the London Coliseum this week in all his might and all his adorableness - four times, you may like to know, he appears without his shirt on. This is relevant, because it’s not the preening bare-... Read more... |
Petrushka/ Song of a Wayfarer/ Raymonda, English National Ballet, London ColiseumFriday, 26 July 2013
A magical folktale, a male duet, a classical jewel-box - programmes like this should be a rich part of the warp and weft of a ballet company, a night of rich interest and variety, stimulating dancers with challenges to their grace and storytelling... Read more... |
Coppélia, Stanislavsky Ballet, London ColiseumFriday, 12 July 2013
When a person is happy in his work, he does his best. So best ignore what Sergei Polunin says on the page of a newspaper and look at what he does on stage. Now there’s a happy boy. Polunin is the one reason to see the Stanislavsky Ballet at the... Read more... |
Boston Ballet, London ColiseumFriday, 05 July 2013
In a summer awash with Russian ballet, at its best extravagant, limpid, spectacular - an experience of emotions processed through the eyes - a visit by an American company comes from a quite different sensory position: dance as intelligent motion,... Read more... |
Death in Venice, English National OperaSunday, 16 June 2013
Austere, beautiful, heartbreaking, streaked with genius - that goes for both Benjamin Britten’s last opera Death in Venice and Deborah Warner’s remarkable production of it for ENO, returning all too briefly to the Coliseum, with a superb central... Read more... |
Ecstasy and Death, English National Ballet, London ColiseumFriday, 19 April 2013
Is it death that makes us go back to the ballet? The one artform where it is so glorified, so exquisitely reimagined as an experience of regret, hope, ecstasy or bleakest resignation that we will go to drink it in again and again, to preview our own... Read more... |
Midnight Express, Peter Schaufuss Ballet, London ColiseumThursday, 11 April 2013
Yok is a fine Turkish word meaning “there isn’t any”. You use it for “no”, as in, say - is Midnight Express any good? Yok.The hot news surrounding this production was all in the scarpering of its two stars a week before opening, both exceptional... Read more... |
