sat 28/06/2025

London

Alfred Brendel 1931-2025 - a personal tribute

Alfred Brendel’s death earlier this month came as a shock, but it wasn’t unexpected. His health had gradually deteriorated over the last year or so, and I was fortunate to see him just a few days before he died. I visited him for one of our regular...

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Schubertiade 3 at the Ragged Music Festival, Mile End review - five great musicians keep spirits soaring

Aldeburgh offered strong competition for the three evenings of Schubert at the discreetly restored Ragged School Museum, but I knew I had to return for the last event of Pavel Kolesnikov and Samson Tsoy’s third festival here, much as I’d love to...

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4.48 Psychosis, Royal Court review - powerful but déjà vu

Sarah Kane is the most celebrated new writer of the 1990s. Her work is provocative and innovative. So it seems oddly unimaginative to mark the 25th anniversary of her final play, 4.48 Psychosis, by simply recreating the original production, with the...

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The Midnight Bell, Sadler's Wells review - a first reprise for one of Matthew Bourne's most compelling shows to date

Rarely has a revival given a firmer thumbs-up for the future of dance-theatre. Yet Matthew Bourne’s latest show, first aired at the tail-end of lockdown, is far from being a high-octane people-pleaser. It won’t send its audience out teary-eyed and...

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Blu-ray: Darling

A look at Darling on its 60th anniversary offers a sobering reality check on the "Swinging Sixties", a reminder of the fallacy of the decade’s gaiety and supposed liberation, especially for women. This attractive 4K restoration...

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The King of Pangea, King's Head Theatre review - grief and hope, but no connection

There’s an old theatre joke. “The electric chair is too good for a monster like that. They should send him out of town with a new musical”.  The UK equivalent of touring a nascent production in Albany and Ithaca in the hope of a Broadway...

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The Gold, Series 2, BBC One review - back on the trail of the Brink's-Mat bandits

The first series of The Gold in 2023 was received rapturously, though apparently it only told one half of the story of the 1983 Brink’s-Mat robbery at Heathrow airport. Now screenwriter Neil Forsyth has returned to the scene of the crime to reveal...

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Miss Myrtle’s Garden, Bush Theatre review - flowering talent, but needs weeding

The Bush Theatre is becoming a garden centre. Earlier this year, the venue staged Coral Wylie’s Lavender, Hyacinth, Violet, Yew, which featured an abundance of plant life, and now it’s the turn of talented novelist and screenwriter Danny James...

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Hamad Butt: Apprehensions, Whitechapel Gallery review - cool, calm and potentially lethal

Hamad Butt studied at Goldsmiths College at the same time as YBAs (Young British Artists) like Damien Hirst and Gillian Wearing; but whereas they would become household names so their work is now familiar, he disappeared from view. It makes his...

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Album: Little Simz - Lotus

Little Simz clearly believes in meeting situations head on. Her sixth full-length album kicks off, in every sense of the phrase, with “Thief”: unambiguously a lyrical barrage at her childhood friend and frequent collaborator Inflo, who Simz is...

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This is My Family, Southwark Playhouse - London debut of 2013 Sheffield hit is feeling its age

MOR. Twee. Unashamedly crowdpleasing. Are such descriptors indicative of a tedious night in the stalls? For your reviewer, who has become jaded very quickly with a myriad of searing examinations of mental health crises and wake up calls about the...

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The Rise and Fall of Michelle Mone, BBC Two - boom and bust in the lingerie trade

As this two-part documentary vividly illustrates, it has been a wild ride for Baroness Mone of Mayfair, the self-made businesswoman who emerged from Dennistoun in Glasgow’s East End in the Nineties and created the Ultimo Bra. This revolutionary...

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