LGBT+
Feel Good, Channel 4 and Netflix review - a fresh, bingeable comedy that digs deep but feels mildThursday, 19 March 2020
“I am not intense.” That declaration arrives early in Feel Good, the new Channel 4 and Netflix romantic comedy fronted by comedian Mae Martin, who plays a fictionalised version of herself. Over Mae’s shoulder, we see a literal trash fire. She’s lit... Read more... |
And Then We Danced review - glorious Georgian gay coming-of-age taleWednesday, 11 March 2020
The final sequence of Levan Akin’s coming-of-age drama And Then We Danced is as gloriously defiant a piece of dance action as anything you’ll remember falling for in Billy Elliot.Merab, the film’s youthful dancer protagonist (played by Levan... Read more... |
Kate Tempest, BBC 6 Music Festival review - more personal than politicalTuesday, 10 March 2020
For those wondering if performance poet Kate Tempest would be upstaged or introduced by either pandemic panic or International Women’s Day – know that a) she’s fearless and b) she practices equality always. As such, there’s no pre-amble, other than... Read more... |
RuPaul's Drag Race, Season 12, Netflix review - 13 queens up the gameMonday, 09 March 2020
As RuPaul's best squirrel friend Michelle Visage, co-doyenne of the amused and amusing judges, put it, "that was some next-level shit". She was referring to a high point in the contest's weekly lip sync-ing finales, right at the end of the new... Read more... |
Album: Maria McKee - La Vita NuovaMonday, 09 March 2020
From Tom Cruise soundtrack hit singer to self-described “pansexual, polyamorous, gender-fluid dyke”, and from LA country-punks Lone Justice to a Blakean songwriter in thrall to London’s phantom spirits, Maria McKee’s 13-year musical absence has... Read more... |
Actress Noémie Merlant: 'This is something that hasn't been told yet'Tuesday, 25 February 2020
Lest anyone believe that Parasite was the only ground-breaking foreign language film of the past year, Céline Sciamma’s fourth feature, Portrait of a Lady on Fire, arrives to remind us otherwise. Like Parasite, it... Read more... |
La Cage aux Folles [The Play], Park Theatre review - half-cock farceThursday, 20 February 2020
Not the musical then, worst luck. How timely it would have been to mark Jerry Herman's passing with a celebration of a great achievement. Just how brilliantly the pathos and panache of his score lift Jean Poiret's long-running 1970s farce about a... Read more... |
The High Table, Bush Theatre review - party on in Lagos and LondonSaturday, 15 February 2020
Queer people of colour face a double discrimination: racism and homophobia. Against this sickness of negation and stupidity one of the best antidotes is a culture of celebration. And in this theatre can play its part. At the Bush, last September,... Read more... |
Sex Education, Series 2, Netflix review - the teen sex show we deservedFriday, 14 February 2020
Netflix’s Sex Education has returned to our screens and streams. The show made waves last year for its refreshing take on the teen comedy-drama. It took on abortion, consent and female pleasure — subjects strikingly absent from our actual high... Read more... |
The L Word: Generation Q, Sky Atlantic review - is the new Word as good as the old Word?Wednesday, 05 February 2020
The L Word originally ran for six seasons between 2004 and 2009, and its then-revolutionary depiction of the lives of a group of lesbians in Los Angeles won it both a fanatical audience and acclaim for its game-changing content, exploring such... Read more... |
Tomasz Jedrowski: Swimming in the Dark review – of hypocrisy, both personal and systemicSunday, 02 February 2020
Conjuring up nostalgia for a past readers never had is, perhaps, the litmus test for any good coming-of-age story. Writers have the hard task of making the general particular – because growing up, in one way or another, is universal whereas how and... Read more... |
DVD: The CakemakerWednesday, 15 January 2020
The Cakemaker is Ofir Raul Graizer’s debut feature, and the film must somehow reflect the parabola of the Israeli-born director's life: it’s set between Berlin and Jerusalem, the two cities apparently closest to him, and one of its main... Read more... |
