Ireland
Showbands, BBC Four review - an Irish cultural phenomenon explainedSaturday, 16 March 2019
Ask most people what a showband is and they’ll give you a blank look. But ask any Irish person (or those born in the Irish diaspora) who is north of 50 and they will probably look misty-eyed. For between the late 1950s and 1980s showbands were a... Read more... |
The Hole in the Ground review - parental horror stays on the surfaceMonday, 04 March 2019
Mothers’ fears for and of their children are primal horror material: The Babadook and Under the Shadow set recent standards for exploring its emotional terror. Lee Cronin’s debut, The Hole in the Ground, has similarly profound subtexts in mind, and... Read more... |
Black 47 review - a gripping and unusual dramaThursday, 27 September 2018
Even for those with only a passing acquaintance with Irish history, the Famine – or the Great Hunger – looms large, when British indifference to the failed potato crop in large parts of Ireland resulted in the deaths or emigration of nearly a... Read more... |
Aristocrats, Donmar Warehouse review - fresh but unevenFriday, 10 August 2018
Chekhovian is a rather over-used word when it comes to describing some of the late Brian Friel's best work, but you can see why it might apply to Aristocrats, his 1979 play which premiered at the Abbey Theatre in Dublin before becoming a... Read more... |
Roderic O’Conor and the Moderns, National Gallery of Ireland review - experiments in Pont-AvenWednesday, 01 August 2018
In the autumn of 1892 Émile Bernard wrote home to his mother that, following the summer decampment to Pont-Aven of artists visiting from Paris and further afield, there remained "some artists here, two of them talented and copying each other. One... Read more... |
Brian Friel, the private playwright of BallybegWednesday, 25 July 2018
Brian Friel, who died in 2015 at the age of 86, was a shy man who shunned interviews, keeping his powder dry for the work and shrouding his personal life in mystique. Not that he never opened his mouth at all. When Dancing at Lughnasa (1990) was... Read more... |
Postcards from the 48% review - wistful memorial to forgotten valuesSaturday, 07 July 2018
Writer and director David Nicholas Wilkinson felt moved to make his reflective, rather melancholy documentary on the 48% who voted to remain in the EU, he says, because nobody else was making one. When it came to funding the project, not a single... Read more... |
The Lieutenant of Inishmore, Noel Coward Theatre review - Aidan Turner makes a magnetic West End debutThursday, 05 July 2018
Aidan Turner may not reveal those famously bronzed pecs that have made TV's Poldark box office catnip in his West End debut. But what Michael Grandage's funny and fiery revival of The Lieutenant of Inishmore reveals in spades is the... Read more... |
Translations, National Theatre review - an Irish classic returns with cascading forceThursday, 31 May 2018
What sort of physical upgrade can a play withstand? That question will have occurred to devotees of Brian Friel's Translations, a play that has thrived in smaller venues (London's Hampstead and Donmar, over time) and had trouble in larger spaces: a... Read more... |
Ian Rickson: 'I'm an introvert, I want to stop talking about myself' - interviewTuesday, 22 May 2018
Ian Rickson’s route into theatre was not conventional. Growing up in south London, he discovered plays largely through reading them as a student at Essex University. During those years he stood on a picketline in the miners’ strike, and proudly... Read more... |
William Trevor: Last Stories review - final intimationsSunday, 20 May 2018
An Irishman who spent more than half a century in London and then Devon, and a prolific writer – nearly 20 novels and novellas, some 20 collections of short stories in varying combinations – William Trevor (1928-2016) is often eulogised as a modern... Read more... |
The Woman in White, BBC One review - camp VictorianaMonday, 23 April 2018
The BBC excels at a very particular kind of drama, namely one where production values overawe dramatic content. Its version of The Woman in White (BBC One) proves no exception. Our hero is Walter, a bemused sappy painter played by ex-Eastender Ben... Read more... |
