sat 26/07/2025

indie

Sharon van Etten, Oran Mor, Glasgow

It is sometimes hard to be enthused by midweek gigs. Last night was one of those occasions, at least for the 30 seconds I thought I was going to be watching most of the show on the iPhone screen of the six feet of beard that planked itself in front...

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CD: Meursault - Something for the Weakened

The first thing that strikes you is the voice. At once coarse and warm, like the creak of the stairs of your childhood home as it settles in at night, Meursault’s Neil Pennycook sounds like a man with more than a few stories to tell. Of course it...

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CD: Go-Kart Mozart – On the Hot Dog Streets

Bloopy Seventies synths. Glitter Band drums. The fuzz guitar of Sweet’s “Blockbuster”. Eighties electro-robot-pop. New wave chug. The hot dog streets of West Bromwich. Morning TV. Bailiffs at the door, The secularisation of institutions and the...

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CD: Saint Saviour – Union

The moment you reach “I Call This Home”, the third track of Saint Saviour's debut album, it’s obvious this is an album to stick with. A pulsing rhythm beds guitars that reverberate like vintage Cure. The voice is quavering, anguished. Then it opens...

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First taste of new Grizzly Bear album, due in September

Critically acclaimed New York indie darlings Grizzly Bear have released the tracklisting for their as-yet-untitled follow-up to 2009's Veckatimest. The album, which is due out on 17th September on Warp Records, will be accompanied by an...

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Extract: The Stone Roses - War and Peace

There is film footage of those opening magical, transformative moments: of Brown intoning, “The time, the time is now. Do it now, do it now.” Film, however, could not capture the effect the band’s arrival had on the mood of the crowd; it was a jaw-...

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CD: Guillemots - Hello Land!

It's hard to remember sometimes, as you hum along to the singalong refrains and soaring choruses of their relative hits such as "Trains to Brazil" or "Get Over It", that Guillemots have never been a pop band. Rather, the four-piece have always...

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Reissue CDs Weekly: My Bloody Valentine, Loose Tubes, Fela Kuti

My Bloody Valentine: Isn’t Anything, Loveless, EPs 1988-1991Kieron TylerEach of these three CDs is essential. My Bloody Valentine’s 1988 Isn’t Anything and 1991’s Loveless were era-defining albums that time has done nothing to tarnish. The EPs they...

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CD: Beach House – Bloom

Traction isn’t a very rock‘n’roll word, but sometimes it’s difficult to understand why one act achieves a hold where another doesn’t. So it is with Beach House. They are great, but so are – say – the similarly positioned and styled, but less-lauded...

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CD: Best Coast - The Only Place

Any concerns that Best Coast might have abandoned the sun-kissed California scuzz-pop sound that made their 2010 debut, Crazy For You, such a runaway success are answered in its opening - and title - track. “So leave your coat behind / We’re gonna...

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CD: Haight-Ashbury 2 – The Ashburys

Choosing such a loaded name is wilful. Scottish trio Haight-Ashbury are going to be identified with psychedelic-era San Francisco whatever they do. Should they wish to extend their musical wings, diversions into drum and bass or metal aren’t going...

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Gravenhurst: Interview & Video Exclusive

Gravenhurst is Nick Talbot, a Bristolian multi-instrumentalist, producer and songwriter who recently completed his sixth album, The Ghost in Daylight. Ahead of its release on Warp Records next week theartsdesk premieres the unsettling film made for...

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