mon 14/07/2025

indie

theartsdesk on Vinyl 52: Yardbirds, Fad Gadget, Spoon, Cate le Bon, Cabaret Voltaire and more

Welcome to the latest edition of theartsdesk on Vinyl, the monthly online musical resource that knows no genre boundaries as it treks through every release on plastic that it can find. This time round we’ve everything from death metal to obscure...

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CD: Ezra Furman - Twelve Nudes

“This is our punk record,” says Ezra Furman of Twelve Nudes in its PR bumpf. In practice, the punk slant is manifested through distorted guitars, hell-for-leather tempi and howling vocals. The edgiest moment is the 55-second “Blown”, a close...

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Edinburgh International Festival 2019: JARV IS review - Britpop legend still delivers

”Cunts Are Still”. Well, that got your attention, didn’t it? Not my words, merely the title of one of JARV IS’s new tracks. In case you didn’t get it, JARV IS is a play on words and the name of given to Pulp frontman and founder Jarvis Cocker’s...

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Eels, Hammersmith Apollo review – dark, swampy and endlessly entertertaining

"Would you mind if I jammed on my new... castanets?" We’re halfway through Eels’ triumphant set at Hammersmith's Eventim Apollo and this is the kind of question we’ve come to expect from frontman Mark Oliver Everett, AKA "E". Expect the unexpected,...

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CD: Sleater-Kinney - The Center Won't Hold

This album’s title began as a reaction to fractiousness under Trump, but gained more intimate meaning when drummer Janet Weiss quit Sleater-Kinney shortly before release. With production by St Vincent’s Annie Clark pushing these knotty indie-rock...

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The Hold Steady - Thrashing Thru the Passion

At recent live shows, Hold Steady frontman Craig Finn has taken to describing the band’s current lineup as the best it’s ever been. Boosted to a six-piece by the return of Franz Nicolay on keyboards, the Hold Steady of the band’s latter-day London...

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theartsdesk in Oslo: Øya Festival 2019 review

The timing seemed odd. Sigrid is internationally successful. She’s Norway’s highest-profile musical ambassador since a-ha. Yet instead of headlining at 2019’s Øya Festival, she hits the stage at 6.45. Has she been demoted in favour of Tame Impala,...

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CD: Bon Iver – i,i

If you’ve been paying attention, you might have already heard most if not all of Bon Iver’s curiously named i,i album – weeks before its physical release on August 30. The band debuted two tracks (“Hey Ma” and “U (Man Like)”) at London’s All Points...

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The National, Kelvingrove Bandstand, Glasgow review - rapture, catharsis and jokes

With their claustrophobic melodies and cryptic lyrics, The National are not the most obvious of choices for a summer evening. But then, The National of 2019 are not the same band. On recent album I Am Easy to Find, frontman Matt Berninger’s...

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CD: WHY? - AOKOHIO

Founded in 1998, the Los Angeles based Anticon collective has become one of the most curiously individual of 21st century groupings. Taking the wordiest and nerdiest tendencies of hip hop – notably the slam poetry-informed tongue-twisting of fellow...

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Liam Gallagher, Valletta, Malta review - underperformed but rapturously received

Rock ‘n’ roll. That’s what was promised. It was emblazoned on the organ for all to see. And if that visual guarantee was too subtle, the set began with “Rock 'n’ Roll Star”. Only, despite the swagger, Liam Gallagher doesn’t really live up to the...

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CD: Cross Record - Cross Record

It’s not every artist who performs “living funerals” along the way as she tours. Then again, American singer Emily Cross is far from the average rocker. Cross Record was previously Cross and her husband Dan Duszynski, who were also both in the...

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