wed 09/07/2025

history

Blood and Gifts, National Theatre

What is with the National and history plays? On the large stages of this theatre, the main fare is historical accounts of contemporary problems. Maybe the programmers here imagine that their audiences, like T S Eliot’s humankind, “can’t bear very...

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Who Do You Think You Were? Channel 4

“Do you realise what you’re letting yourself in for?” is surely the worst thing to say to someone in order to put them at their ease, especially when they are about to step into the subconscious unknown. But down-to-earth fireman Neil Clarke took...

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Clybourne Park, Royal Court Theatre

The American Dream is a great subject for theatre. Not only is it a powerful myth that animates millions, but it is also vulnerable to being subverted by generations of playwrights. Like an aged boxer, it is liable to being floored by a well-aimed...

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Bombing of Germany, National Geographic

By complete coincidence, this afternoon I tuned in to Air Force, Howard Hawks's 1943 propaganda picture: chiselled young airmen fill a B-17  "flying fortress", dropping their payloads over Japan, both a news service and wish fulfilment for...

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The Heroes of Biggin Hill, Yesterday

Fitters rearm a Spitfire during the Battle of Britain in 1940

The Yesterday channel’s ongoing “Spirit of 1940” season has provoked a giant surge in its viewing figures, another reminder of the grip World War Two still exerts on large chunks of the British public. The Battle of Britain in particular has become...

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Cinderella, English National Ballet, London Coliseum

The ball scene designed by David Walker: 'the inky blue court theme allows Cinderella to arrive in her silvery tutu like the full moon in the night'

English National Ballet turns 60 next week, and nowadays just enduring has to be enough. Smelling of greasepaint and tour buses from the very first, it also smelled of stars - Alicia Markova and Anton Dolin who began it, Rudolf Nureyev and Natalia...

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Domesday, BBC Two/ Treasures of the Anglo-Saxons, BBC Four

What was originally a coincidence of reviewing – two dispatches from the Dark Ages, Treasures of the Anglo-Saxons on BBC Four and Domesday on BBC Two – in fact turned into a remarkably instructive diptych of how and how not to make history...

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After A Dancemaker Dies, BBC Radio 3

Two giants of dance died last year: Pina Bausch and Merce Cunningham. Right now audiences aren’t being deprived of seeing why their names are written permanently in lights in dance history (Bausch’s company performs in Edinburgh and London later...

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The Normans, BBC Two

In the absence of newsreel footage, Professor Robert Bartlett leans heavily on the Bayeux Tapestry

My surname came to Britain with the Normans, and I must say that my forebears have had a bad press in their adopted homeland. From Hereward the Wake to Robin Hood, Anglo-Saxon legends have depicted us as despotic and cruel, whereas we were great...

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Alan Moore's Unearthing, Old Vic Tunnels

It's very hard to ever know what to expect from Alan Moore, the Mage of Northampton. The author of era-defining comics like Watchmen, V For Vendetta and From Hell has long maintained that art and magic are one and the same, and since the mid-1990s...

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The Prince of Homburg, Donmar Warehouse

'The Prince of Homburg': Charlie Cox moves from dreamily boyish lover to heroic leader of men

This, Heinrich von Kleist’s last play, was completed not long before he committed suicide, aged 34, in 1811, when the map of Europe - and indeed that of his native Prussia - was changing with indecent frequency. It is loosely (very loosely) based on...

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Who Do You Think You Are? - Rupert Everett, BBC One

Rupert Everett knows who he is: he is English, he’s a toff and he’s a poof, thank you very much. And that’s just about all you need to know to tell you that, as a breed, they’re pretty damned sure of themselves, these English toffs, poofs or not....

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